Zandonai, Sheyla S. (Sheyla S. Zandonai)

莎雪娜

全球體系、城市治理、都市歷史與現代性，以及遠東地區葡萄牙殖民主義（聚焦澳門）之人類學研究者。受訓於法國，獲巴黎高等社會科學院社會人類學與民族學博士及碩士學位。其研究視野廣博，多數學術著作集中於澳門研究領域，涵蓋全球史與物質史、歐洲都市主義、殖民懷舊、後殖民性與歸屬感、爭議性遺產，及博彩都市化等議題。

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The City In Review - Episodes Of Hope And Not So In Macau

Zandonai, Sheyla S.

Retratos De Luso-Asiáticos De Macau

Martins, João Palla;Zandonai, Sheyla S.

The Portuguese Calçada in Macau: Paving Residential Colonialism with a New Cultural History of Place

Sheyla S. Zandonai; Vanessa Amaro

The Portuguese Calçada in Macau: Paving Residential Colonialism with a New Cultural History of Place

Zandonai, Sheyla S.;Vanessa Amaro

The City In Review - Episodes Of Hope And Not So In Macau

Zandonai, Sheyla S. | International Institute of Macau

The articles collected in this volume convey opinions of the author, Sheyla S. Zandonai, formed based on more than a decade of learning and experience in and about Macau. They are opinion columns written between 2017 and 2018 in the city's lingua franca, English, for the media: the now extinguished Business Daily and Macau News Agency, and document Macau's recent history.

Retratos De Luso-Asiáticos De Macau

Martins, João Palla; Zandonai, Sheyla S. | Instituto Internacional de Macau

Este livro reúne retratos de crianças, mulheres e homens de idades distintas que têm Macau como lugar de seu nascimento ou dos seus antepassados e, por vezes, de residência, partilhando em comum a experiência da miscigenação que os define geralmente como "euroasiáticos", e que constitui ainda, para aqueles que se identificam como "macaenses", um dos elementos estruturantes da etnicidade de um povo cuja realidade cultural complexa remonta à formação de Macau no século XVI como entreposto comercial português no Oriente.
"Retratos de Luso-Asiáticos de Macau" é um tributo à diferença e à diversidade, características da existência cultural ímpar do povo euroasiático e macaense que representa a cidade global em que se formou e prosperou Macau.
Texto da autoria de Sheyla S. Zandonai e fotografias de João Palla Martins.

此攝影集匯集了擁有澳門背景的葡亞後裔群體人士的肖像，讀者可從充滿異國神秘感及獨特臉部神韻的臉孔中深入了解這個族群複雜的文化背景，亦了解到歐亞社群具特殊性，他們血脈交融，一代傳一代，如今才可看到被稱之為「土生葡人」的家族圖譜。
這部攝影集的一系列作品，人物形象各式各樣、千姿百態，以此方式深化澳門人和澳門事本身的意義，呈現了澳門成為全球都市過程的縮影，以及這片土地上孕育出的思想意識、經濟交流及多元文化體系。一切起源於澳門，澳門亦是我們要回歸的終點，那裏充滿著葡亞後裔社群的人文魅力。讓我們在這裏，揭開這層沉睡已久的面紗。
書中序文部分由莎雪娜（Sheyla S. Zandonai）編著，攝影作品由馬丁斯（João Palla Martins）拍攝。

This book tells the story of men, women and children of mixed descent who were born or raised in Macau, individuals who call the city home, even if they live or have lived abroad, depicting the diversity within this group of Eurasians, also known as Luso-Asians or Macaense, whose origins can be traced to the 16th century when Macau was formed as a Portuguese trading outpost in the East.
"Portraits of Luso-Asians in Macau" is a tribute to difference and diversity that characterize the unique cultural existence of Eurasian and Macanese people.
Texts written by Sheyla S. Zandonai and pictures by João Palla Martins.

The Portuguese Calçada in Macau: Paving Residential Colonialism with a New Cultural History of Place

Sheyla S. Zandonai; Vanessa Amaro

Drawing on ethnographic research, this article examines the ways in which the calçada portuguesa (“Portuguese pavement”) that the late Portuguese administration developed in Macau (China) was converted into a “cultural item” of Macau’s visual and urban identity. It shows how a project loosely linked to the demise of the colonial, while reclaiming space through a contested operation of urban renewal, transformed the calçada into a seemingly desired spatial and historical narrative, tied to the production of heritage and the emergence of a stronger “theming” strategy of tourism promotion for Macau. Primarily an urban project employed in the revitalization of the cityscape, the incipient calçada encountered culturally inspired resistance and animosity from the Chinese population. At first embodying a contested image and legacy, the pavement has, nevertheless, undergone symbolic regeneration through discursive and material readjustment following its localization into the cultural history of place. Throughout this process, past and present were conflated in a fabrication that eventually undermined the reminiscent equivocal nature of interethnic relations that marked the transition from colonial to postcolonial Macau.

The Portuguese Calçada in Macau: Paving Residential Colonialism with a New Cultural History of Place

Sheyla S. Zandonai; Vanessa Amaro

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