葉靜欣女，1986 年生於廣東省江門市。2009 年取得澳門大學新聞與公共傳播學士學位，同年隨夫移民加拿大溫哥華。2014 年出版處女作詩文集《躲於時空裡的青春》。2016 年接受溫哥華 OMNI電視台粵語頻道專訪，同年榮獲北京舉辦的第三屆中外詩歌散文邀請賽詩歌組二等獎，以及中國數個網絡詩歌比賽優異獎。曾任報社記者、中文教師。溫哥華華裔作家協會會員。文章多次刊於《江門日報》及溫哥華《環球華報》。愛好寫新詩、散文、遊記；攝影；珠寶與藝術品鑒賞等。Jingxin YeFemale, born in 1986 in Jiangmen, Guangdong, China.After her graduation at the University of Macau in 2009,majored in Journalism and Publish Communication, Jingxin Ye moved to Vancouver, Canada with her husband. In 2014,Jingxin Ye published her first poem selection Youth Hidden in Time and Space. In 2016, Jingxin Ye was interviewed byVancouver OMNI Cantonese channel. Same year, she was awarded 2nd Prize by the 3rd Chinese and Foreign Poem andProse Invitational Competition, in poem category. Jingxin Ye is also the winner of several poem competitions on the Internet. Once a journalist and Chinese teacher, she is also a member of Vancouver Chinese Writer Association. Jingxin Ye has her works published on Jiangmen Daily and Global Chinese Press. She is specially fond of writing poems, proses and travel notes, taking photographs, appreciating jewels and artworks.�Authors’ Introduction作 者 簡 介
韓牧本名何思撝，1938 年花朝節生於澳門戀愛巷，澳門大學文學碩士，澳門新詩月會創辦人。1957 年夏移居香港，曾任港、澳兒童文學獎、工人文學獎、青年文學獎評判，青年雜誌主編。1984 年春，率先提出 “ 澳門文學 ” 名詞及概念。1989 年冬移居加拿大，任加拿大華裔作家協會理事，國際詩人協會會員。著有《韓牧評論選》、《剪虹集：韓牧藝評小品》、《韓牧散文選》及詩集《韓牧詩選》、《愛情元素》、《梅嫁給楓》、《新土與前塵》、《待放的古蓮花》、《伶仃洋》、《裁風剪雨》 、《回魂夜》、《分流角》、《急水門》、《鉛印的詩稿》等，屢獲詩獎。短詩入選香港中學語文教材；寓言詩獲日本選入 “ 中國語 ” 課本中；詩作《一朵罌粟花的聯想》為加拿大國殤紀念日朗誦詩。亦是書法家，擅隸書、甲骨文，所書長篇甲骨文《心經》、《正氣歌》、《大同篇》等，為書法史創舉。書作為各大博物館、美術館、文學館、紀念館收藏。著有《何思撝書法集》；論文《寫我甲骨文》獲選入《世界學術文庫 · 當代文化卷》。Han MuHan Mu’s original name is Ho See-Fai. Hewas born in spring 1938 at Love Alley (TravessaDa Paixão) in Macau. Graduated as Master of Arts (Literature Studies) from University of Macau, he is also the founder of Macao New Poetry Monthly. He moved to Hong Kong in the summer of 1957.Han Mu once served as the judge of Hong Kong & Macau Children's Literature Award, The Workers' Literature Award, Youth Literary Award, as well as the editor of The Youth Magazine. In spring 1984,he first proposed the term and concept of “Macaoliterature”. In the winter of 1989, he moved toCanada and served as the director of the Chinese Canadian Writers’ Association, as well as a memberof the International Association of Poets. Han Mu is the author of Han Mu Review Selection, Cutting �Authors’ Introduction作 者 簡 介
莫倩婷女，畢業於澳門大學英語系，曾於歐洲研修戲劇。戲劇導演、演員及導師，現任石頭公社會長。Jenny, Mok Sin TengGraduated from University of Macau English General Program. She studied theatre in Europe and works as a theatre director, performer and facilitator. She is currently the president of Comuna de Pedra.Rainbow: Han Mu Art Reviews, Selection of Han Mu’s Work, and poetry collections including Selection of Han Mu, Love Elements, The Marriage of Mei and Feng, New Earth and Dust of Dreams, The Ancient Lotus in Bud, Lingdingyang , Cutting Wind and Rain, Return of the Soul, Fan Lau Kok, Kap Shui Mun, Printed Poems, etc, and his work was awarded multiple times. His short poems were selected for use in Chinese language teaching materials in Hong Kong. His allegories were selected to be put in the curriculum of “ChineseLanguage” in Japan. Inspiration from a PoppyFlower was selected as a recital poem on Canada’sRemembrance Day.Han Mu is also a Chinese calligrapher, expertising in Lishu. He finished his calligraphy work for Oracle Bone inscriptions: The Heart Sutra, The Song of Justice, The Great Together, etc. His work is also selected in the collections of different museums, art galleries, literature galleries and memorial galleries. He has also published Ho See-Fai Calligraphy Collection. His Paper Writing for Oracle Bone Script is selected into World Academic Library • Contemporary Culture Volume.Translator’s Introduction譯者簡介�Authors’ Introduction作者簡介
自序 自序 澳門篇你我高攀 青春 1422343638女校的校門口 石棺與落花 足跡 偶然 多元的宗教 看海 雲之橋 藝術與現實 貧民區的貓 銀河裡的船 小小的紙風車 黑夜的傷疤水管上的日曆 尋圍牆遺跡 4042444648505254565860626466 Perface Jingxin YePerface 葉靜欣 韓牧 Han MuYou Me Out of ReachYouth The Gate of Girl College Stone Coffin and Fallen Blossoms TraceCoincidence Multiple ReligionsWatching the Sea Bridge of the Cloud Art and Reality The Cat in the Slum The Boat in Galaxy Little Pinwheels The Scar of the Night The Calendar on the Water Pipe Tracing the Old City Wall目錄 ContentsMacau
6870727478808286889092與影子共舞海螺 道別戀愛巷 加拿大篇葉的世界 孤清代與現代對視金鏈花 一汪湖水秋蒲公英的投影949698100102104106108112114116118120122鬱金香時間同生共死曖昧蒲公英煙花菊櫻東與西圍城愛繁雜之外鐵翼候鳥樹消失 Dancing with the ShadowConchFarewell The Alley of Passion The World of LeavesLoneliness The Gaze between Qing and the Modern Laburnum A Lake of Water Fall The Projection of Dandelions TulipTime Together We Live and DieAmbiguity DandelionFireworkKiku-zakura East and WestThe WallLove Out of Complications Iron Migratory BirdTreesVanish Canada
014015自序�這本書名字叫《她鄉，他鄉》，簡單的四個字已透露了不少訊息。首先她是女的，他是男的，這本書由兩個人組成。其次， “ 鄉 ” 有她的和他的，她 / 他的鄉是同一個地方嗎？是家鄉、故鄉還是新鄉？讀者看完整本書就會恍然大悟。感謝韓牧先生，我向他提出合著詩影集的提議，他便欣然接受了。我們年齡上相差了近半個世紀，我是詩壇新丁，他是文學老手，但我們有着不少相同點。一是來自澳門，他在澳門出生，並在澳門大學取得文學碩士學位，我也在澳門大學完成四年的學士學位；二是目都住在溫哥華；三是都愛好新詩和攝影。我們合作是個很有趣的嘗試，定能碰撞出不一樣的火花。另外，我還邀請了大學時期的戲劇界好友莫倩婷來為這本書翻譯，有深厚英語根基和文藝底蘊的她定能為這本書加分不少。這本書的內容由四十二幅照片和四十二首新詩組成，澳門和溫哥華各佔二十一。所有照片的拍攝者是我，而新詩則由我和韓牧老師分別完成。這些新詩和照片，我認為分可獨當一面，合更相得益彰。我在澳門大學主修新聞與公共傳播，攝影是其中必修課。自此，我愛上了攝影，也買了人生第一部相機，它陪伴了我在澳門的數個年頭。畢業之後，我離開了澳門，移民到溫哥華。但回憶起大學那段最美好的時光，我始終依依不捨，於是，自己製作了一PerfaceThe name of this book, “Her Home, His Home”,is simple but it reveals a lot of messages. First of all, there is a female and a male that two authors write the book. Secondly, there are his home and her home. Are they the same home? Are they old or new? A new realization will dawn on you.I am grateful to Mr. Han Mu, who accepted my invitation of this collaboration with pleasure when I proposed this idea. We have an age difference of almost half a century. I am such a learner of poetry when compared to him; however, we have a lot in common. First of all, we are both from Macau. Han Mu was born in Macau. He graduated in Master of Arts (Literature Studies) from the University of Macau, where I finished my bachelor degree. Secondly, we are both living in Vancouver currently. Thirdly, both of us are fond of new poetry and photography. Our collaboration is an interesting experience and we expect surprises. Moreover, I have invited the theatre director Jenny, Mok Sin Teng, a great friend from the university, to translate this book into English. Her language ability and cultural background will surely give a lot of positive impact to this book. The book consists of forty-two photos and forty-two new poems where half of them are categorized into the Macau part and half into the Canada part. I took all the photos and shared the writing with Han Mu. These photos and poems are unique on their own, but they bring out the best of each other when they are blended in unity.Photography was a selective course when I studied Journalism and Public Communications at the University of Macau. Since then, I fell in love with it and bought my first camera. The camera was my
本攝影集名叫《澳門風情畫》，用以閑時翻閱紀念。沒想到多年之後竟有機會讓這些照片出版。雖然那只是一台半手動數碼相機，我也不善後期製作，從技術和畫質來說，照片是稚嫩的。但我更希望人們能把重點放在內容和視角上，這也是照片的獨特之處。我來自廣東江門，來到澳門雖然只是兩小時的路程，東西交融的文化卻是完全不一樣的體驗。我開始拍攝不同時分的海岸，街上的路人，擁擠的民宅，富異國風情的磚瓦，甚至一草一木。在澳門的幾年，我學會觀察，並開始寫詩。澳門很小，但總能在文學和攝影上給我源源不斷的靈感。澳門的照片多以人和物為主，有對哲學的思考，例如水管上的日曆，是我在思考時間和水的流動性；對社會的關注，例如貧民區的瘦貓；甚至有帶實驗性質的，例如將要消失於草叢的貓、黑夜的傷疤。我喜歡海，所以照片中不乏海景。但所有照片都沒有涉及到 “ 賭 ”，因為世人皆知澳門是賭城，而我更想呈現出一個多元化的澳門。移民溫哥華後，我的數碼相機換成單反相機，也曾進修過攝影，相信在技術和畫質上較澳門部分略有提升。我鏡頭下的 “ 溫哥華 ”，包括溫哥華市區、大溫哥華地區以及大溫哥華地區周邊幾個城鎮。它們是風景優美，四季分明的地方。我常與朋友分享一句感言：“ 在中國感受生活，在加拿大感受生命。” 兩者沒有優劣之分，區別是加拿大地廣人稀，人們的娛樂主要與大自然有關。春companion in my Macau years. After graduation, I moved to Vancouver from Macau. However, I always remembered those beautiful days at the university. Therefore, I made a photo book named Macau Scenery to ease my nostalgia. I never thought I could publish them years later. My camera is just a half manual digital camera, and I was not very good at post-production for photos. From a technical point of view, the photos are immature works. However, I hope that people can pay more attention to their content and points of view, which I believe those are the most unique quality of the photos. I originated in Guangdong Jiangmen. Although it is just two hours away from Macau, the blending of cultures in Macau gave me a total different experience. I began shooting the coast at different times of the day, passengers on the street, crowded residences, exotic tiles and even the most ordinary things. I learned how to observe when I was in Macau and I also began writing poems. Macau is a small town, but it has given me a lot of inspiration in literature and photography. Photos in the Macau part focus mainly on people and objects. There are philosophical thoughts behind them. For example, The Calendar on the Water Pipe is about my thoughts on the mobility of time and water; there are also thoughts on social issues, such as The Cat in the Slum; even some experimental photos, such as The Cat that Vanishes in the Grass, The Scar of the Night. I like the sea, so you can easily spot them in the photos. Although Macau is known as a gambling city, you will be not able to find any of my photos of this content, because I want to present its diversity instead.After I moved to Vancouver, I changed my digital camera into a manual one, and as well further studied photography. I believe I have better techniques than I had in Macau. The photos I shot in Vancouver City, Metro Vancouver and the towns and cities around it
賞花，夏看海，秋觀葉，冬覽雪。因此，溫哥華的照片以花草和風景為主，在不同的季節中，我拍了不少 “ 時令 ” 的風景照，也拍下溫哥華各種各樣的植物，特別是花。在所有的花當中，我尤其鍾愛櫻花。溫哥華有五十多種櫻花，書中特別提及 “ 菊櫻 ”。“ 菊櫻 ” 本質是櫻花，形態似菊花，有過百片花瓣，為櫻花之最，且同一朵花先後開放兩次。花草無罪，日本人對文化的傳承確實有值得華人去借鑒的地方。此外，我還花了一個月的時間 “ 潛伏 ” 於溫哥華的唐人街，抓拍了各式各樣的人，那裡總能拍到與印象中的溫哥華不一樣的生活搜影。 我和韓牧先生都愛寫短小的新詩。他喜歡我的照片，並從中挑選一些有靈感的配詩。他與我一剛一柔。他擅用白描的手法和理性的目光觀察世情，帶些男子的陽剛之氣。而我，崇尚浪漫與抒情，寫愛、成長與人生，是一個單純女子的心路歷程。我寫詩始於大學時代，且不是中文系出身，所以不擅於華麗的詞藻，尤其引經據典。我憑的是對生活的觀察和一顆真心，寫我所想，抒我所思，以至於我常沒有考慮詩的形式和用詞，而是把重點放在主題和感情上。我認為華麗的外表固然重要，更重要的是動人的真情。而要能打動別人，先要打動自己。這也是我寫詩一向堅持的原則。這本詩影集，有少量的詩來自於我的處女作詩文集《躲於時空裡的青春》。當時寫compose “Vancouver” under my camera. These arebeautiful places with four distinct seasons. I always told my friends, “We feel livelihood in China. InCanada, we feel life.” There is no good or bad. Canadais a big piece of land with little people on it. People’sentertainments are mainly about the nature. They appreciate blossoms in spring, sea in summer, leaves in autumn and snow in winter. As a result, photos in Canada focus on nature and landscapes. I captured a lot of seasonal sceneries and all sorts of plants, especially flowers. Among all flowers, my favorite is Kiku-zakura. There are over fifty species of cherry blossoms in Vancouver. Kiku-zakura mentioned in this book is a kind of cherry blossom that looks like chrysanthemum. One flower has over a hundred petals and the same flower blossoms twice. Flowers have nothing to do with human deeds. Chinese people should learn from Japanese people’s preservation of their culture.Moreover, I spent a month “lurking” in the China townof Vancouver, aiming to capture different kinds of characters. There you can always capture Vancouver with a different impression.Both Han Mu and I love writing short new poems. He likes my photos and chose the ones he found inspiring to work on. We are a combination of masculinity and femininity. He is good at observing the world with rationality and depicting it straightly. I advocate romance and sensations. I write about love, personal growth and life. My writings depict the internal journey of a simple and pure girl.I started writing poems in university and I was not majored in literature. I do not write with beautiful phrases nor quote the classics. Writing with my observation in life and a truthful heart, I do not think too much about forms and wordings when I write. My pen follows my thoughts and I focus on the themes and
下的詩確實有不少因照片裡的情景而作，原配的詩與原配的照片合體自然最好不過。其餘的詩是我再重新認識和思考我所經歷過的時空配出來的，相信也別有一番風味。韓牧先生在澳門、香港、南洋、溫哥華都是著名前輩，能與他合作是我的榮幸。實際上，韓牧先生十分親切，喜歡提攜後輩；在文學上，他指點和幫助我很多。他說，盡量發掘、發現自己所長，別人不熟悉的，別人沒有的，就是、才是你的特點，文學藝術，有特點才能自成一家，才是詩家、藝術家。這句話，我始終銘記在心。emotions. I acknowledge the importance of beautiful phrases, but I put more emphasis on the truthfulness. I believe a poem has to touch the poet’s heart before ittouches its audience. This is my principle of writing poems.Some of my poems in this book came from my first published collection Youth Hidden in Time and Space. The photos inspire most of them and I believe putting the original poems and photos together is the best choice. The rest of my work came from the thoughts and reflections of my life history. I believe the combination will give an interesting and special impact.Han Mu is a well-known senior poet in Macau, Hong Kong, Southeast Asia and Vancouver. I am honored to be able to work with him. In fact, he is a very warm person who likes to support junior writers and poets. He is my mentor in literation. He told me to keep discovering my strengths and looking for my uniqueness among the others. In literature, one starts to be special and independent only when one knows his/her uniqueness, then can one become a real poet and artist. I will always keep this in mind.
022023自序詩與攝影，似乎特別投緣。這兩年，我的詩、我的攝影，與影友、詩友有結緣的機會。首先是與溫哥華攝影家朋友溫一沙兄。他要出版一冊攝影集，關於烈治文市郊的歷史漁村 “ 芬蘭泥沼 ” 的，作品二十幅。他知道我為那個歷史漁村寫過不少詩，邀我提供詩作二十首，合成一冊。我的詩，他的攝影，是在不同的時間獨立產生的，不是配詩或配攝影。相同處只是都以 “芬蘭泥沼” 為題材。 再一個是與加東地區的詩友杜杜兄。她看到我歷年在電視台 “ 新聞及天氣攝影 ” 的入選作品，很感興趣，一一配上舊體詩詞，共有二百首之多。其實我的那些照片，只是隨處隨意攝得的生活記錄，完全沒有像攝影家的特意拍攝。我拍攝的目的，是記錄詩意的生活，以幫助我寫詩時的記憶，相當於畫家的速寫稿，是為回到畫室創作做的準備。感謝杜杜兄，讓我這些稱不上攝影作品的相片，有機會成書，永久保存。我最愛藝術，我最愛寫新詩。幾十年來，見到藝術品、參觀藝術展演，繪畫、雕塑、攝影、書法、音樂、歌曲、舞蹈、戲劇等等，常會引發我的詩興。單就因攝影而成詩言，可分兩種情況。第一種是自然生出感興的有感而發。例如Perface Poetry and Photography seem to find themselves congenial to each other. These two years, my poems always find their photographers and my photos always find their poets.It started with my photographer friend in Vancouver, Sand Wan. He was publishing a twenty-pieces photo collection about Finn Slough the historic fishing village in Richmond, B. C. He knew I have been writing a lot about the village and invited me to provide twenty poems to put in his book. We created our work separately in different times. My poems are not written for his photos, nor his photos were taken for my poems. We just worked mutually on the same theme.Then it came to my poet friend Du Du from Eastern Canada. She saw my work that was selected into the collection of “Photography on Journalism andWeather” and found it interesting to write poems formy photos. She wrote two hundred poems. In fact, those photos were just my daily life snap shots and I did not take it from a photographer’s point of view.The purpose of those photos was to record life so that they could recall my memories when I was writing my poems, just like painters’ sketches. Their sketches arethe preparation of their paintings. I am grateful that Du Du wrote poems for these photo sketches, so that there can be a chance for them to be published and stay forever.I love art and writing new poems. For several decades, I have always found myself inspired by art works, exhibitions, paintings, sculptures, photography, music, dance, theatre, etc.
看了美國攝影大師安素 · 阿當斯（Ansel Adams）的攝影展，寫了組詩《安素 · 阿當斯的第三隻眼睛》，看了香港青年攝影家曾志成的攝影展，寫了組詩《鄉野小品》，看了加拿大攝影家溫一沙的攝影展《龜吼》，寫了組詩《幻域與默�》。此外，也曾見到郎靜山、李群力等攝影家的作品而寫了詩。 第二種是應刊物所需，為攝影作品配以新詩。中國第一本大型綜合性攝影畫報《良友》，1926 年在上海創刊，影響遍及全國，它是我童年時見到的第一本雜誌，是在同學家中借來、三十年代出版的。記得有嶺南畫派大師高奇峰逝世的報道及其畫作，又有裸女模特兒的攝影作品。《良友》曾屢次停刊，於 1984 年在香港復刊時，我有幸蒙編者辜健兄賞識，讓我預先翻看攝影稿件，選出能感動我的，配上新詩。印象中有香港攝影名家的，鄧君瑜的蓮花，配以組詩《蓮池七步》，陳跡的香港霧景，配以《海市蜃樓》。還有林孫杏的梯田，配以《我們是盤古的第二代》，陳作基的《尼泊爾的魚尾峰》，配以同名的新詩。現在的這本詩影集，是與詩友葉靜欣兄的合作，與上述情況不同。她愛攝影和寫新詩。在澳門大學畢業時，出版了一本攝影集《澳門風情畫》，題材是她眼中的澳門。這本只為紀念不以示人的攝影集，我偶然見到，覺得其中一些很有詩味，產生為之配詩之意。她移居溫哥華後，繼續攝影，描劃這裡的景致。今春，她提出合作出版詩影集的Photos inspired my poems in two different situations. The first one comes naturally. For example, I was inspired to write a set of poems named The Third eye of Ansel Adams after I saw Ansel Adams’photography exhibition. After I saw Chang Chi Seng’sexhibition, I write another set of poems Country Sketches. My inspiration to write Illustration and Silence came from the photography exhibition Guei Hou by Sand Wan. Works from other photographers such as Lang Jingshan, Li Qun Li, etc also inspired my poems.The second one comes f rom requests by publication to blend photography works with new poems. The Young Companion is China’s first large-scale comprehensive photography pictorial, which published its first issue in 1926 in Shanghai andhave had a big impact in the country. It was my first magazine in childhood in the 30’s and I borrowed itfrom my classmate. In that copy I remembered reading the article about the death of the great master Gao Qifeng, seeing his paintings and also some photos of a nude female model. The Young Companion stopped its publications several times and in 1984 it resumedpublication again in Hong Kong. I was fortunate to have the opportunity given to me by the editor Gu Jian who let me chose photos that I found inspiration to write new poems for. I remembered writing Seven Steps in the Lotus Pond for the lotus flowers of Tang Kwan Yue the famous Hong Kong photographer, Mirage for Chen Ji’s eerie Hong Kong skyline, We are the SecondGeneration of Pan Gu for Lin Sun-xing’s terraced fields,Machapuchare of Nepal for Chan Chok-ki’s photo.Different from the situations mentioned above, this book is a collaboration with my poet friend Emily Yip who loves photography and writing new poems. She made the photo book Macau Scenery when she
念頭，正合我意。她大方的把她所有的作品給我從中挑選，能引發我的詩興的，我就配了。然後把選剩的還給她，讓她選配。我把含詩意的，都先選了，我覺得還給她“ 籮底橙”，實在對她很不公平。出乎意料，原來我所選的，都不是她要選的。這可見她的藝術觀、詩觀、品味，可能與我大不相同。這樣太好了，因為讀者可以欣賞到風格不同的配詩。此集有攝影作品四十二幅，澳門、溫哥華各佔一半。本來預算她與我各配二十一幅，也許我腦筋遲鈍，只能配出十八幅。寫詩不能勉強，沒有感到足夠的詩意，就不能寫，我也不願意降低自己的要求去湊夠，就少寫幾首吧。想來，詩意來源有二：一來自大自然，一來自現實社會。一些作家，尤其是只寫小說的，對現實社會有興趣、熟悉，但對大自然不感興趣，甚至無知。詩人往往比其它作家愛大自然，愛藝術。詩，是文學中最藝術的，也是最接近大自然的。靜欣兄與我，都是酷愛大自然以及藝術的詩作者以及攝影者。雪霽、虹現、霧夜、星天、花開、葉落、鳥飛、蟲鳴，都會觸動我們的神經。因而，在她的攝影中，常帶詩意，在她的詩中，常帶畫意。說到底，詩是要追求形象的。 常常覺得，藝術與文學是兩回事。藝術家不一定懂文學，作家也不一定懂藝術。而graduated in the University of Macau. The work is about Macau from her point of view and is not a publication. I saw the work by coincidence and found some photos inspiring for writing. Emily has continued her photography by capturing Vancouver sceneries after she moved here. This spring, she proposed the idea of publishing this book together. I agreed. She generously let me choose from all of her photos and she took the rest. I thought it was not very fair for her as I took all the good photos. However, out of my expectation, photos I picked were not what she wanted anyway. I understand we have different opinions on arts and poems, as well as different tastes. It is especially interesting because readers can see different styles of photo poem match.This publication consists of forty-two photos, half taken in Macau and half in Vancouver. Initially, we each planned to write twenty-one poems, but I can only match poems with eighteen photos. Maybe I just have a slow wit. I respect the flow of inspiration when writing poems. If I do not feel the words, I cannot push myself to write just for the sake of making up the numbers, so I decided to leave it the way it was.Now when I think about it, I think the flow of inspiration comes from two places, nature and society. Some writers, especially novel writers are more interested in the realities of society and they even know them very well. However, they are not interested or even ignorant about nature. When compared to writers, poets are often more passionate about nature and arts. Out of all genres of literature, poetry has the most intimate relationship with arts and nature.Emi ly and I a re bo th poem wr i t e r s and photographers who are passionate about nature and arts. Sky clearing up after snow, rainbow appearing in
詩，是最接近藝術的文學、是最藝術的文學。我與靜欣兄相同之點，是大家都愛藝術，包括攝影、繪畫、音樂；並且也都愛寫新詩。都是在藝術與文學的邊界上徘徊的雙重國籍人。在選擇配詩的攝影作品時，我與她曾有過不同的意見。她認為應該選擇美的形象給人看，而破落的貧民窟、寂寥的墳場，是不必去配詩的。而我覺得，社會低下層、不愉快的場所，縱然不美，卻往往蘊含另一種詩意。畢竟，她是 “80 後 ” 而我是 “30 後 ”，我比她多了半個世紀的閱歷，對現實社會想得深刻一些。單是強調光明面或單是強調陰暗面，都不完整。到底我們的詩是文學品而非消遣品，更非商品、宣傳品。在配詩的過程中，我有了新的感悟：一些畫面甚美，但難以入詩，一些畫面不美，卻富含詩意。由此又可見到藝術與文學是兩回事。當然，如果畫面既美，又有詩意，是最可貴的。那正如美貌智慧俱備的秀外慧中。 我常常感到：有一些景物，如一截帶鐵釘的枯木，一片孤葉，一地殘花，兩隻瘦弱的貓兒，一隻蝴蝶的屍體，一面破牆，一隻側舟，一個未知能否捱得過寒冷繼續開放的花蕾，有詩意卻無畫意。相反，有一些景物甚為悅目，卻是有畫意而無詩意。 最近，我把這點意思寫成了《畫意與詩情》一詩，首兩節說：“ 湖光山色 紅花翠鳥 / 也許只是愉悅感官的 / 膚淺的畫意 / / the sky, foggy nights, starry nights, blossoming flowers, falling leaves, flying birds, humming insects are all touching elements for us. Therefore, she has poetry in her photos and sceneries in her poems. By the end, imagery is a very important factor in poetry.I always think there is a very clear line between arts and literature. Artists may not understand literature and writers may not understand arts. However, poetry is the kind of literature which is closest to arts and most artistic. Emily and I share the same passion on photography, painting, music, and we both love writing new poems. We are both wanderers between arts and literature with double nationalities. When Emily and I were matching photos with the poems, we had different opinions. She thought we should focus on photos that carried the image of beauty, and instead, images such as worn-down slum and lonely cemetery do not need to be matched with poems. In my opinion, although images of people from the lower society and unpleasant places are not beautiful images, there is poetry in them. Emily was born in the 80’sand me in the 30’s. I experienced half a century morethan she does, so I have more profound thoughts on the realities of society. Showing either only the bright or the dark side does not give a complete picture. By the end of the day, poetry is not entertainment, commercial products nor propaganda materials, but literature.In the process of matching poems with photos, I had a new realization: some photos had beautiful image but it was difficult to match a poem to it; some did not carry beautiful images but were very poetic. This is another proof of the clear line between arts and literature. But if a photo is both beautiful and poetic, it is certainly a very precious one, like a woman who embodies both beauty and intelligence.
Sometimes I have special feelings towards some images, such as a piece of wood with a nail on it, a piece of leaf, fallen blossoms, two weak cats, a dead butterfly body, a worn-down wall, a boat lying on its side, a fragile bud in the winter. They feel poetic but not photogenic to me. Yet, some images are scenic but I do not feel poetry in them.Recently I wrote a poem on this opinion, named Scenic and Poetic. In the poem, I said, “ Lakes andmountains, red blossoms and green birds/ it may satisfy our sensations/ rich in pictorial splendor but of no depth/ the rich feasting and spreeing, the poor dies on the road side/ Ugly scene, unattainable/ yet profound and poetic.”It seems I try to put poetry above photography and literature above arts. In fact, they are just different medium. Good poems should carry strong imagery; good photographs should be profound and poetic. Both can be extremely impressive. The difference is: the former is louder and more straightforward, while the latter is more complicated and complicated. I am very thankful to Emily, who gives me this opportunity to reflect on the similarities and differences between photography and poetry, and the relationship between being pictorial splendid and poetic.November 2016, Richmond, Canada.朱門酒肉 路邊死骨 / 醜陋的景象不堪入目 / 卻蘊涵深刻的詩情 ”。這樣，似乎強調了詩高於攝影，文學高於藝術。其實二者各有其責，不可偏廢。最好的詩，有鮮明的形象，最好的攝影，有詩的內涵，同樣有震撼人心的、或者提升情操的力量。分別在於前者比較直接，比較響亮，後者比較間接，比較沉靜而已。感謝詩友兼影友的靜欣兄，給我這一個機會，意外的，使我對攝影與詩的異同，畫意與詩情的關係，有深入一層的思考。2016 年 11 月，加拿大，烈治文，環保多元角。
034035你�我要是你還記得那片窄窄的海象牙白的橋寧靜的小島斜長的山坡一扇看海的窗戶裡曾經住着你和我要是你沒有忘記這些沒有忘記澳門那麼 你就不會忘記我You Me If you still remember that narrow piece of sea,the ivory white bridge,the tranquil little island,the long slope up the hill.We used to live where there was a window facing the sea.If you never forget all these,never forget Macau.You will never forget me.你我： 2008.05.28 氹仔澳門大學舊址東亞樓宿舍 University of Macau ( old site) East Asia Hall
036037高攀��羨慕對岸的浮華一心高攀一心高攀也是徒勞的到底不是水生植物只好望洋興嘆Out of ReachEnvy the glamour across the ocean,I want to reach over for it.But even I reach out,It is out of reach.Knowing I am not plants that grow in water.I can only sigh to the ocean.高攀： 2006.11.02 路環水庫 Hac Sa Reservoir
038039青春��一個秋天的午後我們追逐溫暖的陽光追逐綠葉呼出的氧氣追逐草叢間嬉戲的貓追逐青春然而 我們抓不住光和空氣青春呢就像那淘氣的貓兒轉眼就溜走了YouthOne fall afternoon,we chased after the warmth of the sun,the breathes of green leaves,the cheerful cats in between grasses.We were chasing youth.However, we failed to get hold of light and air.Youth escaped from uslike the naughty little cats. 青春： 2008.11.20 氹仔龍環葡韻 Taipa Houses-Museum
040041女校的校門口“ 為甚麼你對這照片有興趣呢？你讀的是男校 ”“ 就因為是男校 ”回想起青嫩的時光早晨上學黃昏放學在女校的校門口等待為了看一眼人叢中的她The Gate of Girl College“Why are you interested in this picture?You studied in a boy school.”“That’s why.”I remember the green time of life,when you waited in front of the gate of the girl collegeevery morning before school and every dusk after school,just to see her in the crowd.女校的校門口： 2006.10.21 聖羅撒女校 Santa Rosa de Lima College Chinese Section
042043石棺與落花��石棺一副副密封着人的歷史 歷史是不會生長的墓地上滿是落下的雞蛋花若說是死亡那是暫時的香氣瀰漫不散預示着明春的重生Stone Coffin and Fallen Blossoms Stone coffins seal the history of people.History will not grow.Fallen pieces of frangipani cover the floor of the cemetery.If this is death, it is a temporary one.The scent of fallen blossomsforeshows rebirth coming in spring.石棺與落花： 2009.05.16 波斯教墳場 Parsee Cemetery
044045足跡將來我想把足跡留在九寨溝自由神像 羅浮宮 大堡礁甚至沙漠 孤島 冰川而今夜我只想把腳步停放於迷人的澳門海旁數數星 吹吹風便心滿意足有機會要到世界走走或者留下來欣賞身邊熟悉的美好TraceIn the future,I want to leave my trace at Jiuzhaigou County,The Statue of Liberty, Louvre Museum,The Great Barrier Reef, desserts, remote islands, glaciers.But tonight, only do I want to hold my stepsat the charming waterfront of Macau. I am content counting the stars and feeling the breeze.The world is yet to explore,but to stay is another option,to appreciate the beauty I am acquainted with.足跡： 2008.09.20 氹仔海傍 Taipa Waterfront
046047偶然某個雨天偶然記得帶上雨傘並把它撐起來回家的路上是害怕弄濕的緣故偶然把腳步加快了一點每天穿着類似的制服偶然變換不同的髮飾和鞋子就在那個雨天的某個時刻我們擦肩而過是偶然嗎還是因為絲微的變化改變了人生的軌跡一些人把它稱作巧合而另一些人把它稱作緣份Coincidence I remember bringing an umbrella on a rainy day.I opened it on the way back, speeded up my pace to avoid the rain.Wearing almost the same uniform everyday,sometimes my accessories and shoes are different.At one point on that day, we came across each other.Was that coincidence?Or was it just trivial matter that altered the path of our lives.Some people call it coincidence.Some call it serendipity.偶然： 2008.06.05 高士德 Avenida de Horta e Costa
048049多元的宗教紅面的關帝右手橫刀豎着威風的左掌大慈大悲觀世音菩薩捧着金色的甘露瓶太極八卦道袍的長髯高冠的黃大仙白衣白蓋頭聖潔的聖母瑪利亞宗教信仰本來是人腦中最頑固的各宗各教安詳地融和在這裡Multiple ReligionsThe red-faced emperor Kuan holds a big knifewith his right hand and lifts his left palm.The goddess of mercy holds the sacred vase of pure water. The long-bearded Wong Tai Sin god wears his taoist robe with taichi sign,his hair arranged in a bun.Mary the blessed virgin dresses all in white. Religions are installed in people’s mindlike mountains.Here is where different religions are mixed and mingled peacefully.多元的宗教： 2007.10.07 路環九澳 Ka Ho Village Coloane
050051看海你轉過頭來太陽為分明的輪廓抹上影子微風輕撫金色的長卷髮平靜的海潮將白沙擁入懷內激起愉悅的浪花你的眉宇間一股不安的暗湧悄悄來過之後 安然離去Watching the SeaYou turn around.The sun colours the outline of your face with shade.The breeze caresses your long curly hair.The calm current embraces the white sand and arouses cheerful waves.The disturbed undercurrent between your eyescomes and goes awaypeacefully.看海： 2007.07.25 路環黑沙灣 Hac Sa Beach
052053雲之橋��我的心意是一朵雲有時厚如麵團可以揉捏成各種形狀有時薄如窗紙要用剪刀小心裁切當你仰望天空時想起我那不是碰巧那是用雲做的一條橋將你和我連在一起�Bridge of the Cloud My mood is a piece of cloud.Thick as dough,it can be kneadedinto different shapes.Thin as window paper,it has to be crafted carefully.If I come across your mindwhen you look at the sky,it is never just a coincidence.We are connected by a bridge made of cloud.雲之橋： 2007.12.26 塔石 Tap Seac
054055藝術與現實��一道古舊的磚牆斑駁而和諧的色彩配上一道棕紅的木門攀援的綠葉從牆頂垂下一幅攝影像一幅耐看的水彩畫我凝視生機盎然的滄桑美誰會願意住進這破屋呢？藝術與現實有一個弔詭的距離Art and RealityAn ancient brick wall.It has colours that are mottled in harmony,is accompanied with a reddish-brown doorand the swaying leaves hanging from top.A piece of photographyis like a piece of aquarelle that withstands scrutiny.I place my gazeon the beauty of vicissitude full of vitality.Who is willing to live in this broken shed? Between art and reality exists a paradoxical distance.藝術與現實： 2008.06.21 路環市區 Coloane Village
056057貧民區的貓��從來沒有見過這麼瘦的全身扁平無肉在貧民窟的棚架上安詳的躺着軒昂的立着�斜陽為牠們起了光邊更顯出自尊的神氣The Cat in the SlumNever have I seen such thin cats.Without flesh, they find their placeon the scaffolding in the slum.Some lay peacefully,some stand with pride.The ray of dust give them golden outlines,highlighting their dignity.貧民區的貓： 2007.10.06 青洲（已於 2009 年清拆）IIha Verda ( demolished in 2009)
058059銀河裡的船�照在玻璃窗的燈光變成金色的星星玻璃窗外的海遊來一只船穿梭在星星之間玻璃窗裡的我看見一只暢遊在銀河裡的船玻璃窗外的船卻不知道海上滿天繁星The Boat in GalaxyReflection of lightbecomes golden stars on a glass window,through which I see a ship sailing between the stars.I vision the boat in galaxy,but it do not realize that the sea is full of stars. 銀河裡的船： 2008.02.23 澳門旅遊塔 Macau Tower
060061小小的紙風車�小小的一個黃色的紙風車在窗裡等待等待風快些快些打開窗吧轉動是風車的生命Little PinwheelsThe little yellow pinwheelswait in front of the window for wind.Hurry up!Open the window!Pinwheels are alive only when they are spinning.小小紙風車： 2007.12.25 福隆新街 Rua de Felicidade
062063黑夜的傷疤天是黑的海是黑的只有長而直的橋陪伴受傷的失眠夜它用細而淡的光線縫上夜的傷口The Scar of the NightThe sky is darkand so is the sea. The long straight bridge is the only visible thing.It accompanies the wounded night of insomnia,weaves the opened woundwith its delicate and gentle light.黑夜的傷疤： 2008.09.20 氹仔海傍 Taipa Waterfront
064065水管上的日曆�一天撕去一頁今天是 “27”號是哪一年哪一月的 “27”號呢？不知道日曆固定在水管上時間在水管裡流是哪一年哪一月的 “27”號呢？不必知道The Calendar on the Water PipeA page is torn away each day.Today is the 27th,but of which month and year?I do not know.The calendar is fixed on the water pipe.Timeflows in the water pipe.It is the 27th of which month and year?We do not have to know.水管上的日曆： 2007.07.27 新馬路新填巷 Travessa do Aterro Novo
066067尋圍牆遺跡��古地圖裡有褪色的一線是石砌的圍牆你建築圍牆的目的是為了拆卸你拆卸為了建築一道更北的圍牆我們還找甚麼呢地球上所有的圍牆都必將拆下拆下的磚石 改砌橋樑圍牆 或者鐵絲網只是古地圖裡褪色的一線Tracing the Old City WallThere is a faded trace on the ancient map.A city wall built with stones.A wall was built to be torn down. You torn it down,In order to build another one more up north.What are we looking for?All walls on earth are meant to be torn down.Then we used the stones to build bridges,walls, or wire fences.It is just a faded trace on an ancient map.尋圍牆遺跡： 2008.11.30 亞婆井 Largo do Lilau
068069與影子共舞當孤單得再無一個真正的朋友就在寂寞的長夜裡點一盞燈吧找回習慣在黑暗中匿藏的影子在這段永無背叛和離棄的關係中安心地與它共舞Dancing with the ShadowWhen you find yourself alonewithout a single true friend. Light a lamp, during the long and lonesome night.Find the shadow that is always hiding in the dark.Betrayal and abandonment never exist in this relationship.You can dance with it at ease.與影子共舞： 2006.12.0 澳門文化中心 Macau Cultural Center
070071海螺��我是一只海螺時而在海中徜徉時而安躺於沙的懷內我沒有眼睛看不見海氾濫的淚水也看不見沙破碎的心我沒有鼻子和嘴巴只有一只大耳朵裡面裝滿了話沙說 海是個浪子海說 它留不住沙ConchI am a conch.Sometimes I linger in water,sometimes I am embraced by the sand. I have no eyes.I cannot see the overwhelming tears of the sea,Nor the pieces of sand’s broken heart.I have no nose nor mouth. My only ear is full of words.Sand said sea is a wanderer.Sea said it can never get hold of sand.海螺： 2007.04.01 氹仔海傍 Taipa Waterfront
072073道別下雨的那天我走了誰願看清彼此遠去的背影瀟灑地轉身 不要回頭不要貪戀臨別的短聚相信時間會沖淡離愁的正如雨水會隱沒地面的污垢 老樹的皺紋和眼角的淚光只剩朦朧的前路朦朧如美好的初見FarewellI lefton a rainy day.Not willing to see each others’ distancing backs,we took off without looking back,without lingering on each other while we departed.Time will wash the sorrow away,like rain will cover the dirt on the ground , winkles of treesand tears from my eye.The only thing left in the vision is the hazy path ahead,as hazy as our wonderful first encounter.道別： 2009.06.23 聖地牙哥古堡酒店 Pousada de São Tiago
074075戀愛巷��初戀如花卻是朦朧的這一種美難以看得清更難以捉摸繼續走傾斜而崎嶇就如這小巷到頂才可以到達風吹不動火燒不死的牌坊The Alley of Passion*First love is like blossom in haze.Hard to see through,difficult to get hold of.Keep Walking.The slope is a rugged traillike this alley.Only when you get to the topcan you see the archway,indestructible by wind or fire.(* Alley of Passion: Travessa da Paixao – the name of an alley in Macau) 戀愛巷： 2009.03.21 戀愛巷 Travessa Da Paixão
078079葉的世界�地上 樹上 天上遠遠近近黃色 綠色 紅色 棕色是深秋 把葉的世界從純綠變成多彩待秋風再吹只剩常綠樹和青草地世界又從多彩變回純綠了The World of LeavesOn the earth, On the trees,In the sky;Far yet close;Yellow, Green, Red, Brown.Fall turns the world of leavesfrom pure green to colourful.Until the wind rises and the green colours are revealed.Once again, the world is back to pure green.葉的世界： 2016.11.02 鱒魚湖公園 Trout Lake Park
080081孤我的世界哀愁時是白色連綿的山頭大地 草原 野花連長青的松柏都白髮蒼蒼我的世界哀愁時是冬天冰冷的風 紛飛的雪遮天蔽日的烏雲令人裹足不前 迷失方向 是否有這樣一個他甘願冒再大的風雪孤身闖進我的世界在我最彷徨和哀傷時告訴我他就是春天Loneliness My world is white when sadness arrives.Continuous mountains,earth, plain, wild flowers.Even pine trees are swaying with her white hairs.My world is in winter when sadness arrives.Freezing wind, falling snow,clouds covering the sun.Unable to step forward,I am lost in confusion.Will there be someonewilling to travel through wind and snowinto my world of loneliness,into my sorrow and confusion,May he tell methat he is my spring. 孤： 2010.12.20 威士拿 Whistler
084085The Gaze between Qing and the ModernChinese Family hundred years ago. Family Photo.Parents, two sons, two daughters.Clothes of the time,Qing accessories on the hair,the family gazed at the camera.But pay a closer lookAnd you will realize some differencefrom the son on the right.His clothes mingled botheastern and western styles.Western hat, western umbrella.The moment the photo was taken,a TV crew entered the frame.An attraction between the son in the photo and the sound editor.The sound editor has long blonde hair.Sucking her finger,did she ate something?Is she a girl?The photo was thereby taken,right at the moment of mutual gaze.
086087金鏈花金鏈花開了一串串迎風招搖薰風 帶着威風香氣 帶着傲氣它告訴我金碧輝煌也難逃凋殘的命運LaburnumThe golden chain flowers blossom,swaying in the wind.Smoked wind brings prestige.Fragrance brings pride.It reminds me the fatethat resplendence will also withers.金鏈花： 2010.05.16 范迪森公園 VanDusen Garden
088089一汪湖水日光下靈動的一汪湖水向我投射異樣的光芒我靜靜地欣賞它的美像浮游於浩瀚而璀璨的宇宙星河如夢如幻 不能自已當你輕輕一聲呼喚 把我驚醒我注視的不再是那一汪湖水 而是你的眼睛 不 我沒有醒我的宇宙就是你的眼睛A Lake of Water Under the sun shines the smart waving of the lake,glittering with extravagance. Absorbing its beauty in silence,I am lost in its dreamy light,as if I am floating through the vast and dazzling star river of the universe.Then you call lightly,which dawns my awaking. My gaze is no longer on the water,but on your eyes.No, I am not awake at all.Your eyes are my universe.一汪湖水： 2016.04.19 克利夫蘭水壩 Cleveland Dam
090091秋那在風中起舞的秋葉把每棵樹緊緊包裹起來碧綠是初次邂逅的羞澀橘黃是情到濃時的酒醉火紅是刻骨銘心的愛恨交織這一片片都是濃郁的秋意也是戀人們驛動的心FallLeaves dancing in the breeze of fall, wrapping up every single tree.Green, as coy as the first encounter;Orange, as drunk as love well-infused;Red, as unforgotten as love and hate tightly weaved.The concentrated spirits of fall,are restless hearts of lovers.秋： 2010.10.30 鱒魚湖公園 Trout Lake Park
092093蒲公英的投影一對蒲公英披着球狀的冠毛 親密交纏那是陽光下木板上扁薄的投影回看實體其實兩者是疏離的The Projection of DandelionsA pair of dandelions,crest like bouquets,weaving together tightly.That is just their thin projection on the wood under the sun.The real flowersare in fact far apart.蒲公英的投影： 2010.10.19 溫哥華東區 Vancouver East
094095鬱金香女人豐滿圓潤的嘴唇男人粗壯寬厚的手臂鬱金香的六瓣靈魂之窗張開是加國溫暖的春天春天燦爛的陽光陽光中巍峨的雪峰雪峰下蒼翠的山林山林環繞的田野田野七色的花海花海閃爍的波浪波浪裡千千萬萬朵鬱金香TulipLike the plump lips of womenor muscular arms of men,Tulips’ six petalsare the windows of soul.When they expend,they bring the warm spring of Canada,the splendid sun of spring,the towering snow peak in the sun,the green forest under the peak,the fields surrounding the forests,the colourful tides of flowers in the fileds,the twinkling waves in the tides,the thousands of tulips in the waves.鬱金香： 2011.04.23 哈里遜 Harrison
096097時間時間分秒流動花草一歲一枯榮樹木會變高 人會變老 街道的靜物慢慢褪色殘舊城市發展得繁榮或者墮落世界的一切都如同時間 永恆地變化着�永恆不變的只有變化着的時間Time Time never changes its pace.Plants have their seasons to wither and blossom.Trees will grow. Men will age,Colours of the street will fade away.Cities may move towards prosperity or depravation,just like everything on earth,just like time,ever-changing.If there is one thing being eternal,It will be the eternal changing of time.時間： 2009.11.29 煤氣鎮 Gastown
098099同生共死所有的同伴都已隕落只剩我倆相依我倆知道我倆終於也要隕落的只希望有一陣突來的強風讓我倆同生共死Together We Live and DieAll acquaintances have fallen like meteor,leaving behind you and I.Just us.We knew that both of uswill fall like meteors.Desperately, I only wish there will come a gust of wind, strong enoughso that we can stay together, living or dying. 同生共死： 2011.04.02 溫哥華西區 Vancouver West
100101曖昧坐在湖邊同一條凳上的男女中間留下曖昧的距離他們沉默不語卻面朝同一個方向我猜不透他們是夫妻 情侶 親人 朋友還是陌生人湖中央的一只孤舟抑或是一座孤島我看不清孤舟 要是撥動水中的船槳便緩緩前往心中的方向孤島 卻只能呆呆地佇立把自己隔絕成一個寂寞的星球AmbiguityA man and a woman, sitting on a bench together by the lake.Ambiguity is their distance.Not a word between them, they look at the same direction.I do not know if they are couples, lovers, family, friendsor strangers.In the middle of the lake sails a boat,or maybe an island.I am not sure.If it is a boat, I can paddleuntil I reach my destination.If it is an island, it can only sit forever,in its solitude. 曖昧： 2010.10.11 深溝 Deep Cove
102103蒲公英三天前的蒲公英是個黃毛小子稚氣大圓臉 朝天笑三天後的蒲公英是個白髮老人三千煩惱絲 理還亂一千根回首昨天的無憂一千根靜觀今天的風向一千根猜想明天的歸宿來不及梳理驟來的風吹散了三千煩惱絲也把蒲公英匆匆吹向明天DandelionThree days ago, the dandelion was still a child,laughing delightedly with a round face. After three daysIt turns into an old man with silver hair.The three thousand worry silk,messy to unravel.One thousand looks back on the worry-free past;One thousand observes today’s windOne thousand guesses the destination of the future.Still messy,the sudden gust of wind blows the three thousand silk awayand the dandelion is on its way to the future.蒲公英： 2010.06.05 溫哥華東區 Vancouver East
104105煙花我想再看一次綻放的煙花再次回到那廣闊平整的海面夜色清朗無雲基調是快樂的 偶有憤怒與哀傷愛笑便笑 想哭就哭旋律從羞澀漸行至熱情靜而溫柔 動則雀躍黑夜做你的畫紙隨心揮灑顏色與花式無須掩飾 忠於自我此刻世界屬於你天地變成觀眾月亮和星星變成配角 我想再看一次綻放的煙花正如再看一次綻放的自己FireworkOnce again I want to see the blossoming firework, to go back to the horizon of the sea.The sky was clear, with happiness as its base tone,occasional coloured with sadness and anger.It was a time when laughters and tears happened spontaneously.My melody progressed from coy to affectionate,peaceful and soft, dancing with raptures.Painting with feelings and emotions,I had the night as my drawing canvas.Nothing was in disguise, I could always be myself.Being the center of one’s universe,both heaven and earth were my audience.Moon and stars were always there for me.Once again I want to see the blossoming firework.Once again I want to see the “I” who was blossoming.煙花： 2011.07.23 英吉利海灣 English Bay
106107菊櫻誰都說櫻花的生命最短暫而你 菊櫻在綠葉間一球一球擁擠地開放 每一朵有數以百計的花瓣誰會知道在盛開之後 不死從花心再開醞釀出第二生命Kiku-zakuraIt is said,cherry blossoms live very short life.But you, Kiku-zakura, blossom like bouquets among the greens,crowded with hundreds of petals each flower.Who expectsit to stay alive after blossoming,and at this heartferments a second life.菊櫻： 2016.04.27 威廉街 William Street, from Lakewood to Garden
110111East and WestTwo old men, east and west,divide the station in two sides.One with his cap, earphones, sunglasses;Denim jacket and patterned shirt;causal pants and leisure shoes.His arms and legs open relaxingly.Underneath his long hair and beard is his tranquility The other one, newsboy hat, short hair;Zipped up dark jack and grey sweater;under a proper pair of trousers showsa pair of leather shoes.His hands rest on his crossing legs.His cautious features are shown on his neatly shaved face.Two old men, east and west;encounter in the middle of their journey,are departing for opposite directions of life
112113圍城溫哥華雖然鮮見家鄉的梅花和桃花但每年三四月櫻花和李花總如約而至陪我走過離家的數個年頭櫻花和李花樹大多是先開花再長葉的盛放時 花朵包圍着整棵樹一排排的花樹包圍着整個城市一夜之間 世界換了種顏色只是 這些遠渡自東方的花兒還是帶着漂泊他鄉的意味就像這裡的移民而每當我走進這滿滿粉色的街道就像困在一個被鄉愁籠罩的世界The WallSeldom can we see in Vancouver,plum blossoms and peach blossoms, flowers from home.Yet cherry blossoms and oriental plumnever miss their season every march and april,They accompany my years away from home.Their blossoms come before their leaves.When a tree bloom, its blossoms cover the whole tree.The city is surrounded by walls of flowers.The world changes colours in one night.These flowers are from the east.They travelled away from home,like immigrants.I walk along the blossoming streets,as if I was trappedin the universe of homesick.圍城： 2011.03.26 溫哥華西 22 街夾紫杉街 West 22nd Ave at Yew Street, Vancouver
114115愛如果有一天我對你的愛已經枯萎如同飄落的紅葉凋零的花瓣請你把它埋在土地裡用餘生來悉心灌溉終有一日它將以綠草的姿態重獲新生LoveMaybe one day,my affection for you withers away like fallen leavesand dying petals.Do let it buried in the groundand irrigate it for the rest of your life.Eventually,it will be backin the body of new grass.愛： 2009.09.30 溫哥華東區 Vancouver East
116117繁雜之外沒有葉 更沒有花我粗糙但堅強我孤獨但安寧我愛我所固守的這一片綠色的淨土以及 繁雜之外那一列藍色的帶雪的遠山Out of ComplicationsNo leaves nor flowers.I am rough yet strong,lonely yet tranquil.I love what I have been sticking to.The land pure and green.And, out of complications,the blue snowy mountains far away.繁雜之外： 2011.03.21 溫哥華西區 Vancouver West
118119鐵翼候鳥小時候總想做一只候鳥每逢季節變換就可以自由地飛翔到處看看這個世界沒想到 兒時的幻想竟然成真鋼鐵的機翼將我送到遙遠的大洋彼岸直到現在才明白天空太大候鳥會累 會迷路那不是一片自由的天空那是一片思念的汪洋Iron Migratory BirdWhen I was young I wished I were a migratory bird.When the season changes,I could fly freely to see the world.Today childhood fantasy comes true.Iron wings can send me to the other side of the ocean.Only until now I understandthe sky is far too vast than I imagined.Birds will get tired,will get lost.It is not the sky of freedom.It is the ocean of longing.鐵翼候鳥： 2009.09.20 列治文 Richmond
120121樹樹從來無法決定自己扎根的位置沒關係它仍然可以把握身軀的高度枝幹延伸的廣度皮膚的皺褶 青絲的濃密其餘的交給命運去決定不管身在何方哪裡都有陽光雨露的眷顧都可得到小鳥的歌頌哪裡都能仰望天空 聽風且吟都不會失去依偎腳邊的一群小草相信遇到這美好的一切即便也有壞的那已是命運對它最好的安排TreesA tree has not determination on where it is rooted,yet,it still decides its height,the way its branches extend,the wrinkles on its stem,the density of the leaves.The rest is then left in the hands of fate.No matter where the tree is,the warmth of the sun and the moist of rain never ends;birds never stop singing;the sky exists as long as the breeze murmurs;grasses are always clinging near the roots. I believe all happenings,good or bad, arethe best arrangements by fate.樹： 2010.02.19 和平門 Peace Arch
122123消失黃昏橘色的天空把海面映照得難分彼此極盛的夕陽把天空和海以外的一切簡化成黑色剪影海邊的路上我看見了一對情侶和他們的寵物小狗一個人劃着小艇留下長長的痕跡遠遠近近的六艘貨輪安靜地航行着�當我走完這段路時它們也伴橘色的天空和夕陽慢慢地消失了Vanish The vanilla sky at duskconfuses itself with the reflection of the sea.The heyday of the setting sun turns everything into silhouettes.By the beach,I saw a couple and their dog.Someone rowing a boat, leaving behind a long trace.Six freighters sail across in silence.As I move on with my path,everything starts vanishingtogether with the sun and the colours of dusk.消失： 2009.10.06 英吉利海灣內的凡尼爾公園 Vanier Park in English Bay
名：她鄉，他鄉書作譯 者︰葉靜欣、韓牧 者︰莫倩婷責任編輯：廖子馨排版設計︰拾鹿工房出 版︰澳門日報出版社澳門慕拉士大馬路二一八號發 行︰澳門文化廣場澳門荷蘭園大馬路三十二號 G印 刷︰鴻興柯式印刷有限公司版 次︰二零一八年十一月第一版規 格︰二一○乘一五○毫米I S B N ︰978-99965-48-44-4�版權所有，不得翻印。
