S T I L L K U O K K E N G M A N S T I L L K U O K K E N G M A N
acao Artists CollectionPrefaceThe arts can elevate people’s capacity to observe, to comprehend and to express themselves, not only is one of the ways to resolve problems, but also can give people hope and courage so that their talents and wisdom can be fully demonstrated and exalted. More importantly, the arts are connected with the deepest core of human nature by expressing emotions and demon-strating wisdom.A city also needs some form of wisdom. Over nearly 30 years, art creations in Macao have had accumulated not a few attainments. The skills of the fine painters emerged in the mid-1980s have become more matured after nearly 30 years of exploration. They have now become the pillar of the arts community of Macao and are leading the trend of our times. On the other hand, as a result of access to higher education becoming more open, local art creations are also becoming more profes-sional and diversified. New artists bring forth new artistic thinking, creative skills, visual elements and ways of appreciation. Owing to the lack of a systematic scheme of promotion, the overall image of artists in Macao is, however, yet to be sufficiently distinctive, and their contributions to the urban cultural and artistic development are yet to be sufficiently affirmed and promot-ed. The publication of this Collection aims to fill these gaps, with hopes to bring, through some ten years of effort, the image of the artists of Macao, who have contrib-uted so quietly, to the life.During the course of art creations, Macao artists who engage in creations in Chinese calligraphy and painting find themselves quite hard to tear away from the tradition. They enthusiastically learn and study traditional arts of the nation, enhancing training in pen and ink, perfecting their modelling abilities, and fully elevating their artistic accomplishments and skills. From calligraphy to painting, and from sculpture to photography, their works have fully integrated into the national spirit of culture. In the meantime, they are good at absorbing the advantages of the arts abroad with great tolerance, fusing the Chinese and the West together. Artists who engage in Western media and materials demon-strate to people their sincerity and peculiar concepts, from concrete image to impres-sions, and from impressions to modern abstractness. From sketches to water-paint-ing, oil-painting, acrylic arts, block print, mixed media, photography, all of these works demonstrate the passion form light and shadow.It leaves without denial that the representa-tives of these artists stand out from their fellows only after arduous practices. They enter the arts community of Macao and gradually form their own distinctive styles. Through their works of great artistic accomplishment, they ignite the interests of the spectators. Their artistic achieve-ments come from their passion for the land where they grow up, as well as from their passion for the small yet beautiful, an internationalising Macao, and her simple and friendly people. They use their paint-brushes to draw the thoughts of the people. They use their artistic accomplishment to add colours to this city, to recall the past, to depict the present, and to offer for the future.Publication and exhibition are important means to promote artistic creations and to effectively remember the past and depict the present. While artists included in this Macao Artists Collection explore innova-tively based on the artistic experience of the forerunners and exalting their own artistic personalities, they also respect the aesthetic taste of the population at large, paying attention to the style and quality of their works. They have achievements. They have faith. And they are aware that the aesthetic taste of the works can in turn play a relevant role in elevating the cultur-al accomplishment of the public. Needless to say, these artists are only part of a wider community who are cultivating with great efforts on the soils of Macao. There remain many more artists with artistic gifts, talents, personal style and characters to be discovered and recommended. This requires us to work together to achieve this, so that a fuller picture of the arts of Macao can be demonstrated.Social progress cannot neglect cultural construction. A prosperous economy and a prosperous culture are some of the impor-tant features of a modernised country or territory. The duties succeeded and exalted by the arts of Macao are now shouldered upon those full of innovative ideas. It is commonly acknowledged that those with artistic accomplishment possess a wider tolerance, a fuller life experience and humanistic accomplishment, a more energetic and charming personality, and a more aggressive innovative spirit. We sincerely hope that the publication of this Collection can inject vitality to the creative atmosphere of the arts in Macao, and that the levels of artistic creations at present can be reviewed, the artistic education deepened, the image as a cultural city modelled, the cultural personality of this city exalted, and to play a positive role in calling the population at large to pay attention and support our cultural and creative industries.This serves as the preface.Wu ZhiliangPresident of the Board of Directors The Macao FoundationM
When Kuok Keng Man invited me to write a preface for his new photographic album, he said that he titled this book as “Taking a break”, which is a verbal phrase and he chose the pictures for this album by his feelings. He also mentioned that this exhibition can only be a milestone of his photographer’s journey, but it cannot be counted as a sum up of his photographic life. He likes to exhibit his pic-tures in free compilation to keep his audienc-es interested every time they open a new page in the album, like listening to a randomly assorted music album. After reading the draft of his new album, I had the same feeling as he expected his audi-ences to have for his works. This album col-lected his works taken in many countries and some of them showed the changes of Macao as recorded by a Macao citizen. Moreover, his capturing of the Greater China, especially her people in their split second brilliance, all these give great surprise and happiness to his audience. I’ve known Kuok for some thirty years. When I visited Macao back in 1985 with the rep-resentatives of Chinese photographers we were warmly treated by our friends in Ma-cao. Kuok was in his prime and a dedicated photographer. When Macao administration was returned to China in 1999, I had anoth-er chance to work with Kuok, together with photographers from Mainland China, Macao and Hong Kong, to capture this historical event in our “48 hour photographic project”. Again, on the 10 anniversary of this event, while Kuok was President of PSM, we had an-other chance to work together to spend one year photographing the changes of Macao and shared our record with the Macao com-munity in exhibitions. On top of the aforesaid activities, Kuok, despite his busy duties as vice school master, was able to join us in our Mainland, Taiwan, Hong Kong, and Macao photographic excur-sion. During the trip, we visited dozens of cities, from metropolitan Shanghai to Jinmen Island of Taiwan. Our footprints covered half of Greater China. Kuok impresses me with his sincerity and integrity. He is perhaps not a person not very skilled in expressing himself in words but certainly very skilled in expressing his feel-ings in his photographic works. He expresses his inner self and the world more vividly in pictures captured through his lenses. In his own words: “Photography helps me see a more beautiful world, think more delicately and make more friends.”We wish him more happiness in his onward photographic career! The vice president and the chief editor of China Tourism,Wang Miao Preface
序 敬文兄邀請我為他即將出版的影集作序，他說：“將展覽及影集命名為《偷閒》， 此名原為動詞，由於作品只是用感覺去選相，小小展覽，也算是多年攝影創作路上的一站，也非甚麼回顧展。雜錦式展出，一如購買唱片時的心態，最喜購雜錦唱片，因為往往對下一首歌有一種期待，沒有單一的那份悶氣”。 閱畢敬文兄送來的影集小樣，正如他所希望的那樣，既有他遍遊世界的偶得；又有他身為澳門人，記錄下澳門的種種變遷；更有他攝遍中華大地、關注人、抓拍精彩人物的瞬間；的確給人予豐富與多彩的驚喜。 相識敬文兄近三十年了，一九八五年隨中國攝影家代表團訪問澳門時獲澳門攝影界朋友的熱誠款待，那時他已是風華正茂的攝影發燒友。其後一九九九年澳門回歸，我們共同組織大陸、香港、澳門的攝影家，為記錄這舉世矚目的歷史而奮戰了48小時……。其後，澳門回歸十年，又與他任會長的澳門攝影學會合作，邀海峽兩岸的攝影家們在一年中拍攝記錄澳門的變遷，並合辦過展覽。 更幸運的是，在我們近十年來組織的兩岸四地攝影家合拍中國大地的活動中，他雖身為學校的校長，竟能忙中《偷閒》隨我們從雪域西藏到雲貴高原，從繁華的上海大都市到台灣的金門小島，拍攝了數十個省市，足跡踏遍了半個中國……。 敬文兄給我的印象，為人忠懇、厚道，可能不太善言語的表達，但在他的影像中確看到他那豐富的內心、及觀察的細微，在用光影刻劃對世界的觀感時，更能看到他內心世界的豐富情感。正如他自己所說：“攝影讓我看世界更美，思維更細緻，朋友更多”。 願他繼續前行，在攝影之路上更加快樂！ 香港中國旅遊出版社副社長兼總編輯王苗2013年8月K U O K K E N G M A NS T I L L
S T I L L K U O K K E N G M A N S T I L L K U O K K E N G M A N
K U O K K E N G M A N S T I L L前言 現代都巿人生活節奏快 ，工作忙碌 ， 壓力大，如何減壓是大眾必修之課題；減壓方式人人不同，養成良好的興趣是其中一道良方妙藥，能忙裡偷閒，是一種生活情趣，也是一種減壓方式。迷上攝影數十年，獲益良多，攝影讓我看世界更美、思維更細緻、朋友更多。 我喜愛攝影，享受攝影的樂趣，透過分享相片，希望讀者也能感受到來自攝影的快樂；以雞尾酒方式展示作品，是我的選擇，望讀者喜歡。 郭敬文Preface In today’s fast paced city life where every-body works non-stop and under pressure, relaxation is an issue city people have to address. Ways to release stress differ from person to person and building up hobbies is one of them. Sneaking out from our busy life to take up some interesting activities gives a fresh breeze to our life as well as a good way for relaxation. I have been fascinated by photography for a few dec-ades and have gained a lot from it. Photography helps me to see the world in a more beautiful way, to think in a more delicate manner and to make more friends. I love photography. I enjoy the pleas-ure it gives me, and through sharing my works I hope to share with my audiences the same joy. I choose to do this sharing in a cocktail par-ty style and hope my audiences would also like it. Kuok Keng ManK U O K K E N G M A N
KUOK KENG MANFrom 1983, Kuok Keng Man enrolled in The Photographic Society of Macao and became an amateur photographer. Since then, some of his photographs and photographic articles published in Macao Daily News, China Tourism, China Pictoria, Chinese National Geography, and other publications in Hong Kong and Macao. Kuok is also the vice president of Macau Pui Ching Mddle School. At the same time, he has been focusing on the development of Macao photographic society and keep promoting photography to different local government departments and associations. In 2006, Kuok opened his first solo exhibition at the pavilion in Lou Lim Ieoc Garden.COMMUNITY & SOCIAL SERVICE Member of Macao SAR Government Chief Executive Election Committee Member of Macao SAR Government Region Community Services Advisory Committee Member of Macao SAR Government Traffic Services Committee Member of China Federation of Literary and Art Circles, Member of Executive Committee, China Photographers Association,President of General Assembly, The Photographic Society of MacaoPresident of Supervisory Committee , Macao Band Directors Association Vice-President of General Assembly, China Friendship Association of Cultural Circles of MacaoVice-President of Executive Committee, Macao Development Strategy Research CentreMember of Executive Committee , The Chinese Educators Association of MacaoMember of Executive Committee, Chinese Cultural Exchange Association S T I L L
郭敬文 Kuok Keng Man澳門攝影學會高級會士 FPSM 澳門攝影學會榮譽高級會士 Hon.FPSM1983年加入澳門攝影學會並開始業餘攝影創作，攝影作品及文章發表於澳門日報攝影版“攝影漫談”專欄，以及在“中國旅遊”、“人民畫報”、 “中國國家地理雜誌”、港澳報章刊物上發表。熱衷研究澳門攝影發展、推動攝影教學，先後為澳門多個政府部門、機構、社團等主講攝影課程、講座、工作坊等，擔任地區性及國際性攝影比賽評判，2006年應澳門民政總署邀請於澳門“春草堂展覽廳”舉行首次個人攝影作品展，現職澳門培正中學副校長。論文發表(藝術範疇):2008年於中國(深圳)國際攝影產業高峰論壇發表《澳門攝影團體與澳門攝影的發展》2009年於海峽兩岸暨港澳地區藝術論壇發表《澳門民間攝影藝術活動發展對全球化下藝術發展戰略的啟示》2010年於麗水攝影高端論壇發表《澳門攝影團體與澳門攝影發展》2010年於海峽兩岸暨港澳地區藝術論壇發表《網絡時代下中華藝術在澳門基礎教育的發展概況》2011年於海峽兩岸暨港澳地區藝術論壇發表《澳門文化政策與澳門攝影的發展》2012年於海峽兩岸暨港澳地區藝術論壇發表《中西文化交融與澳門攝影發展》社會職務：澳門特區政府第三任行政長官選舉委員會委員澳門特區政府社區服務諮詢委員會委員澳門特區政府交通諮詢委員會委員中國文學藝術界聯合會委員中國攝影家協會理事澳門攝影學會會員大會主席澳門管樂協會監事長澳門中華文化聯誼會副會長澳門發展策略研究中心副理事長澳門中華教育會常務理事澳門中華文化交流協會理事K U O K K E N G M A N
總序 Preface序 Preface前言 Preface個人簡介 Introduction• • • • • •• 4 - 5 始•終 The Beginning and The End 6 聖殿 Chapel 7 聖老楞佐堂(上圖) St. Lawrence‘s Church ( Top ) 7 小可愛(下圖) Sweetie ( Bottom ) 8 - 9 拜苦路 Worship 10 - 11 追隨 Following 12 和平 Peace 13 格蘭披治之夢 Macao Grand Prix 14 - 15 東望洋燈塔 Guia Lighthouse 16 文化遺產 Heritage 17 東方蒙地卡羅 (上圖) Oriental Monte Carlo (Top) 17 陸軍俱樂部除夕舞會 (下圖) Party (Bottom) 18 古典美 Classical Beauty 20 - 21 里斯本風情 Lisbon 23 留白 White Space 24 - 25 醉人的黃昏 Stunning Evening 26 - 27 築夢者 Realizer 28 - 29 父愛 Father’s Love 30 風雨前夕 Before Storm 31 90後 After 90’s 32 禱告與祈求 Pray 33 雨夜 Late Night Rain 34 - 35 里斯本聖卡洛斯國立劇院 Teatro Nacional de São Carlo 羅卡角 Cabo da Roca 36 - 37 柏林音樂廳 Berlin Concert House 38 - 39 澳門情懷 Times in Macao 41 亞馬喇圓形地 Rotunda de Ferreira do Amaral 42 - 43 長命橋填海 Reclamation Beside Long-life Bridge 44 - 45 長命橋填海區 New Reclamation 46 - 47 工人球場臨時鬥牛場 Bullfighting Ground 48 - 49 工人球場葡式鬥牛 Bullfighting 50 - 51 全澳學生繪畫賽 Macao Student Drawing Competition 52 - 53 黑沙渡海泳 Cross-harbor Swimming 54 野渡無人舟自橫 Empty Boats 58 - 59 造船 Shipbuilding 60 下一站香格里拉 Next Stop Shangri-La 61 醉紅塵 Secular 62 K U O K K E N G M A NS T I L L
哈蘇．大師 Hasselblad ． Monk 63 姊妹情深 Sister’s Love 64 - 65 生活 Life 66 - 67 母愛 Mother’s Love 69 山娃 Girls 70 - 71 非池中物 Boys 72 - 73 美 Beauty 74 你的日子如何，你的力量也必如何。 As your days, so may your work be. 75 憐愛 Adoration 77 迎賓 Welcome 78 - 79 印象知青 The Impression of The Sent-down Youth 80 西瓜小子 Kids in Market 81 花樣年華 Prosperity 82 - 83 歸家路上 The Way, Home 85 西藏 Tibet 87 高原讚歌 Tibet Hymn 88 - 89 珠峰•珠峰 Everest 90 納木晨曲 Morning Song 92 – 93 80後藏民 Young Tibetans 94 – 95 藏民 Tibetan 96 牧馬駝鈴今何在? Find Me, If You Can 98 – 99 相依 Dependency 100 天．地．人 One 104 土耳其女郎 Turkish Girl 105 時光大盜 Pirate 106 – 107 片面 Fragment 108 後現代之戀 Post-modern Love 110 藍調戀曲(中) Blue Tune ( Middle ) 110 – 111 藍綠(右) Blue and Green ( Right ) 111 112 - 113 情意綿綿 Romance 114 黃昏戀曲 Ballad 115 落霞情 Twilight 116 - 117 千古期待 A Moment 118 夢 Dream 119柏拉圖的洞穴 Plato’s Cave 120 靈魂之舞 Dancing Spirit 121 四度空間 Fourth Dimension 122印象東亞運 Impression to East Asian Games 123複製 Deplicate 124查偉革 Veiga Jardim 125 驀然回首，那人卻在燈火闌珊處。“Though he be not far from every one of us.”CONTENTS目錄
16S T I L L K U O K K E N G M A N
17S T I L L K U O K K E N G M A N 偷 閒 郭 敬 文
4S T I L L • K U O K K E N G M A N
5始•終 T h e B e g i n n i n g a n d T h e E n d
6S T I L L • K U O K K E N G M A N 聖 殿 C h a p e l
7聖 老 楞 佐 堂 ( 上 圖 ) S t . L a w r e n c e ‘ s ( T o p ) 小 可 愛 ( 下 圖 ) S w e e t i e ( B o t t o m )S T I L L • K U O K K E N G M A N
22S T I L L • K U O K K E N G M A N
23拜 苦 路 W o r s h i p
S T I L L • K U O K K E N G M A N
11追 隨 F o l l o w i n g
S T I L L • K U O K K E N G M A N 和 平 P e a c e
13和 平 P e a c e 格 蘭 披 治 之 夢 M a c a o G r a n d P r i x
S T I L L • K U O K K E N G M A N
15東 望 洋 燈 塔 G u i a L i g h t h o u s e
16S T I L L • K U O K K E N G M A N 文 化 遺 產 H e r i t a g e
17S T I L L • K U O K K E N G M A N 東 方 蒙 地 卡 羅 ( 上 圖 ) O r i e n t a l M o n t e C a r l o ( T o p )陸 軍 俱 樂 部 除 夕 舞 會 ( 下 圖 ) P a r t y ( B o t t o m )
32
19古 典 美 C l a s s i c a l B e a u t y
S T I L L • K U O K K E N G M A N
里 斯 本 風 情 L i s b o n
22
23S T I L L • K U O K K E N G M A N 留 白 W h i t e S p a c e
S T I L L • K U O K K E N G M A N
醉 人 的 黃 昏 S t u n n i n g E v e n i n g
S T I L L • K U O K K E N G M A N築 夢 者 R e a l i z e r
S T I L L • K U O K K E N G M A N
父愛 F a t h e r ’ s L o v e
30S T I L L • K U O K K E N G M A N 風 雨 前 夕 B e f o r e S t o r m
31S T I L L • K U O K K E N G M A N9 0 後 A f t e r 9 0 ’ s
32S T I L L • K U O K K E N G M A N 禱 告 與 祈 求 P r a y
33S T I L L • K U O K K E N G M A N雨 夜 L a t e N i g h t R a i n
S T I L L • K U O K K E N G M A N
35里 斯 本 聖 卡 洛 斯 國 立 劇 院 T e a t r o N a c i o n a l d e S ã o C a r l o
S T I L L • K U O K K E N G M A N
37羅 卡 角 C a b o d a R o c a
S T I L L • K U O K K E N G M A N
39柏 林 音 樂 廳 B e r l i n C o n c e r t H o u s e
54S T I L L • K U O K K E N G M A N昔日情在澳門培正中學工作數十年，回想八十年代，夏令班期間，由於下午不用上班，許多時候，一下班就帶上簡單食物到竹灣海灘，躺在沙灘上曬上半天，又或到新馬路平安戲院看一套公餘場，目的並非看電影，而是為了嘆冷氣，生活簡單悠閒，回想起來仍然十分懷念！小城發展迅速，城巿景觀及生活方式迅速改變，昔日的長命橋、銅馬廣場、工人球場、鬥牛、渡海泳……已成為澳門人的集體回憶。部份作品原為彩色負片拍攝，只因菲林走色，為易於統一色調和營造效果，轉為黑白而已。Collective MemoriesI have been working in Pui Ching Middle School for several decades. Back to 80,s, during the summer school, I brought some snacks and went to Cheoc Van Beach to enjoy sun tanning. Then, I went to Ping An Cinema, which closed many years ago. Actually, I did not go there for watching movies but for enjoying the air conditioning. Life is simple, and I miss it.Our little city, Macao, has been developing rapidly, and many of our collective memories have gone, such as the so called “Chang Ming Bridge”(Long-life Bridge), The Bronze Horse Plaza, Estrada do Istmo (Cotai Strip), Campo dos operários da Associação Geral dos Op-erários de Macao (Workers’ Playground), Bullfighting and cross-harbor swimming. I have preserved those memories in color negative films; however, most of their colors faded out as time went by. I have to change all those old pictures into black and white in order to present the whole collection with a uniform color tone. Hope these pictures bring back to you of some of our collective memories.
41S T I L L • K U O K K E N G M A N 澳 門 情 懷 T i m e s i n M a c a o
56S T I L L • K U O K K E N G M A N
57亞 馬 喇 圓 形 地 R o t u n d a d e F e r r e i r a d o A m a r a l
58S T I L L • K U O K K E N G M A N
59長 命 橋 填 海 R e c l a m a t i o n B e s i d e L o n g - l i f e B r i d g e
60S T I L L • K U O K K E N G M A N
61長 命 橋 填 海 區 N e w R e c l a m a t i o n
48S T I L L • K U O K K E N G M A N
49工 人 球 場 臨 時 鬥 牛 場 B u l l f i g h t i n g G r o u n d
S T I L L • K U O K K E N G M A N
65工 人 球 場 葡 式 鬥 牛 B u l l f i g h t i n g
S T I L L • K U O K K E N G M A N
53全 澳 學 生 繪 畫 賽 M a c a o S t u d e n t D r a w i n g C o m p e t i t i o n
55S T I L L • K U O K K E N G M A N黑 沙 渡 海 泳 C r o s s - h a r b o r S w i m m i n g
70S T I L L • K U O K K E N G M A N憶雲南八十年代，前往雲南創作，當年乘車由昆明到大理、麗江、中甸等地要花兩天時間，沿途車子時而穿入雲中，時而駛進雲端，躺在草地上，仰望天空綻放出來的幾度彩虹，令人難忘。雲南是攝影創作的好地方，天氣好，少數民族多，無論拍攝風光或人文景觀，均不會讓人失望。Yunnan Memories I went to Yunnan in the 80’s to take pictures. There, I needed to go on a bus for 2 days from Kunming to Dali, Lijiang and Zhongdian. When our bus drove through mountain after mountain, we drove through clouds and sometimes above them. Lying on the grass, I saw rainbow after rainbow. It was most impressing and memorable. Yunnan is a gorgeous place for creative photography. The weather is fine and there are numerous minority groups. It’s an ideal place for landscape and culture capturing.
71
72S T I L L • K U O K K E N G M A N
73野 渡 無 人 舟 自 橫 E m p t y B o a t s
60S T I L L • K U O K K E N G M A N 造 船 S h i p b u i l d i n g
61S T I L L • K U O K K E N G M A N下 一 站 香 格 里 拉 N e x t S t o p S h a n g r i - L a
62S T I L L • K U O K K E N G M A N 醉 紅 塵 S e c u l a r
63S T I L L • K U O K K E N G M A N哈 蘇 ． 大 師 H a s s e l b l a d ． M o n k
S T I L L • K U O K K E N G M A N
65姊 妹 情 深 S i s t e r ’ s L o v e
S T I L L • K U O K K E N G M A N
67生 活 L i f e
82S T I L L • K U O K K E N G M A N攝影從心 文革期間，隨母親下放到農村，童年在農村生活多年，物質條件匱乏，但卻讓筆者學會求生本領，以及留下難以忘懷的回憶和寶貴的生活經歷，攝影師的作品除了表現對世界的觀感外，也是內心世界的表現和情感的追憶。Photography from the heart During The Cultural Revolution in China, my mother was banished to the country side, and I followed her there. We lived in a very harsh environment, but I gained some valuable life skills and unforgettable experiences which enriched my life. Photographers use pictures to response to this world, they also use pictures to reflect their inner world.
69S T I L L • K U O K K E N G M A N 母 愛 M o t h e r ’ s L o v e
S T I L L • K U O K K E N G M A N
71山 娃 G i r l s
86S T I L L • K U O K K E N G M A N
87非 池 中 物 B o y s
74S T I L L • K U O K K E N G M A N 美 B e a u t y
75S T I L L • K U O K K E N G M A N你 的 日 子 如 何 ， 你 的 力 量 也 必 如 何 。 A s Yo u r D a y s , S o M a y Yo u r W o r k B e
76S T I L L • K U O K K E N G M A N
憐 愛 A d o r a t i o n
92S T I L L • K U O K K E N G M A N
93迎 賓 W e l c o m e
80S T I L L • K U O K K E N G M A N 印 象 知 青 T h e I m p r e s s i o n o f T h e S e n t - a d o w n Yo u t h
81S T I L L • K U O K K E N G M A N西 瓜 小 子 K i d s i n M a r k e t
S T I L L • K U O K K E N G M A N
花 樣 年 華 P r o s p e r i t y
84S T I L L • K U O K K E N G M A N
歸 家 路 上 T h e W a y , H o m e
100S T I L L • K U O K K E N G M A N西藏情西藏，攝影人不可錯過之地，到了西藏才可領會到人定勝天只是人的主觀願望而已。到西藏不到珠峰是一種遺憾，或者人們心中均有一座珠峰，能征服心中的珠峰，人生可能會少一點遺憾。Tibet Encounter How could a photographer leave out Tibet? The encounter with Tibet made me understand that man need not necessarily conquer nature. It might be regretful not to reach the Mount Everest, but reaching the Everest in our heart might bring a similar satisfaction, though in a lesser scale.
87T I B E TS T I L L • K U O K K E N G M A N
S T I L L • K U O K K E N G M A N
高 原 讚 歌 T i b e t H y m n
91S T I L L • K U O K K E N G M A N珠峰 • 珠峰 E v e r e s t
S T I L L • K U O K K E N G M A N
93納 木 晨 曲 M o r n i n g S o n g
108S T I L L • K U O K K E N G M A N
1098 0 後 藏 民 Yo u n g T i b e t a n s
97S T I L L • K U O K K E N G M A N藏 民 T i b e t a n
112S T I L L • K U O K K E N G M A N牧 馬 駝 鈴 今 何 在 ? F i n d M e , I f Yo u C a n .
101S T I L L • K U O K K E N G M A N相 依 D e p e n d e n c y
116S T I L L • K U O K K E N G M A N具象•抽象 攝影自誕生開始與繪畫藝術糾纏不清的宿命延續而今，繪畫或攝影均未能打破人對世界主觀認知的制約，攝影者常常試圖扮演冷靜旁觀者的角色去記錄世界，但最終仍然受限於對世界的主觀認知，無論是紀實攝影或觀念攝影、具象或抽象、現代或後現代，最終歸向仍是人心，人們雖然努力掙脫固有思維的約束，但最終仍未能逃脫欲望的糾纏。Realistic – AbstractPhotography is destined to entangle with the art of painting ever since its invention. Peo-ple cannot free themselves from the subjective understanding of the world through paint-ing or photography. Though many photographers tried to use an objective way to capture this world as spectators, they are still limited by their understanding of this world. Neither “documentation or conceptual photography” nor “realistic or abstract photography” can free us from our subjectivity. We tried our best to shake off preconceived ideas and restric-tions but could never escape from our desires eventually.
117K U O K K E N G M A N S T I L L
104S T I L L • K U O K K E N G M A N 天 ． 地 ． 人 O n e
119土 耳 其 女 郎 T u r k i s h G i r l
S T I L L • K U O K K E N G M A N
107時 光 大 盜 P i r a t e
109S T I L L • K U O K K E N G M A N片 面 F r a g m e n t
110S T I L L • K U O K K E N G M A N 後 現 代 之 戀 P o s t - m o d e r n L o v e
111藍 調 戀 曲 ( 中 ) B l u e T u n e ( M i d d l e ) 藍 綠 ( 右 ) B l u e a n d G r e e n ( R i g h t )
S T I L L • K U O K K E N G M A N
113情 意 綿 綿 R o m a n c e
S T I L L • K U O K K E N G M A N 黃 昏 戀 曲 B a l l a d
115落 霞 情 T w i l i g h t
S T I L L • K U O K K E N G M A N
117千 古 期 待 A M o m e n t
118S T I L L • K U O K K E N G M A N 夢 D r e a m
119S T I L L • K U O K K E N G M A N柏 拉 圖 的 洞 穴 P l a t o ’ s C a v e
120S T I L L • K U O K K E N G M A N 靈 魂 之 舞 D a n c i n g S p i r i t
135四 度 空 間 F o u r t h D i m e n s i o n
122S T I L L • K U O K K E N G M A N 印 象 東 亞 運 I m p r e s s i o n t o E a s t A s i a n G a m e s
123S T I L L • K U O K K E N G M A N複製 D e p l i c a t e
124S T I L L • K U O K K E N G M A N 查 偉 革 V e i g a J a r d i m
K U O K K E N G M A N驀然回首，那人卻在燈火闌珊處。“Though he be not far from every one of us.”
Series:Macao Artists CollectionTitle:STILL•Kuok Keng Man Published:Macao FoundationAuthor:Kuok Keng ManDesign:Kuok Ka Chon (Thomas Kuok)Translator : Dominic ChanKuok Ka Chon (Thomas Kuok)Printing:Welfare Printing Ltd. Date: Oct 2013Quantity: 1300ISBN 978-99937-1-096-7All rights reserved. No part of this book may be reproduced in any form without written per-mission from the publisher MOP$100S T I L L
叢書名澳門藝術家叢書書名偷閒 郭敬文攝影集 出版 澳門基金會作者郭敬文美術設計郭家駿 印刷 華輝印刷有限公司翻譯陳鎮江 郭家駿出版日期 2013年10月 印數 1300冊 ISBN 978-99937-1-096-7版權所有 翻印必究定價 澳門幣壹佰圓正K U O K K E N G M A N布 達 與 佩 斯 B u d a ﹠ P e s t
