fLt̀;｀；41l4巴小巍驃澳·門綦全會ca澳門教科文中心Fundac;~oMacau@1'.-1:CentroUNESCOdeMacau島画CHIOVAi·puSELECTEDPAINTINGS

書名：趙亻拿夫畫集作者：超亻拿夫統籌：趙維富主編：梁煜輝、暕美蛾設計：超維富美術顧問：夤金封面題字：馬師夾攝影：李忿滕翻譯：李思捷排版：鴉要村式印刷冇隈公司分色：寰井分色制廞敲印刷：茜羿村式印刷有f及公司印教：1000本出版：澳門綦全會英門教科文中心書號：99937-1-010-5Title:ChioVaiFu-SelectedPaintingsArtist:ChioVaiFuOverallPlanning:ChioWaiFuEditor:LeonglokFai,ChanMeiNgoDesign:ChioWaiFuArtisticAdviser:WongKumFrontPageInscription·MaShiShiPhotography:LiDeShengTranslation:ReneeS.C.LeiTypesetting:TipografiaMacauHungHengColourEffect:Cosmos疝gitalGraphicFactoryLtd.Printer:TipografiaMacauHungHengEdition:1000Publisher:MacauFoundationUNESCOCentreofMacauISBN:99937-1-010-5

~瓿EXPOSI~AO~、』~.-;.,--RETROSPECT/VADE辶I:術．萃元CHIOVAiFlJ<)rrCZ_..,.回JI·-、/,"Ii顧24/10~5111/2000展C璽@~澳門教科文中心CentroUNESCOdeMacauUNESCOCentreofMacau

趙偉夫年青肖像（油畫）作者：味亻左冶ChioVaiFuAtHisYouth,(OilPainting)byGeorgeChanII

,趙偉夫中年畫像（鉛筆速寫）作者：譚智生ChioVaiFuAtHisMiddle(PencilSketching),byTamChiSang國

閂~1:之，，，趙偉夫晚年畫像（水彩畫）作者：煮全ChioVaiFuAtHisOldAge,(Watercolour)byWongKumII

丶，·丶·fIU百文化傳承是如何使某一地區的特色能否永葆青春的重要課題。對過去的回望，並不意味著恆久地在故紙堆裡尋尋覓覓、戀戀不捨往日的光華。相反，這種對往昔的回眸卻使我們有機會去撩動歷史朦朧的面紗，去探索我們所居之處的文化底蘊，催促自新，重新定位，營造新的氛圍。西方哲人曾説，每個人的日記都值得被博物館收藏。這緣於它能精確地、毫無掩飾地記錄了人的生命中某些或全部的片斷，是反映其所處年代的人與事以及生活中喜、怒、哀、樂的美妙篇章。顯然，趙偉夫先生的＂日記＂不以文字寫成，而是利用他的筆以圖像的形式顯現。他的作品向人們展示二十世紀澳門及其鄰近地區的風貌之餘，也同時使我們藉此領略一位對＂美＂追求一生的人的平凡過程。他的畫，是一位普通澳門人心律震動的痕跡。這種＇普通＂，在於作者不耽於如何在社會中獲取多少，僅在乎貢獻多少的風範，也正因為此，趙偉夫先生擁有不平凡的人生。審美趣味隨時間更迭，都被賦予不同的內涵，而同時代的畫家，也各有不同的藝術追求與主張。縱觀二十世紀的藝術發展歷程，可以説是一個多元化的時代，也就是人們可以用自由的方式去從事藝術實驗與創造的時期。這種時代風氣，同樣反映在澳門的文化、藝術之中。趙偉夫先生是澳門的前輩畫家，畫作色調淡雅、情真意切、平實感人，沒有令人目眩的色彩，卻給人想像思考的空間。澳門教科文中心主辦趙偉夫先生藝術回顧展，一方面是為了紀念一位為澳門文化藝術作出貢獻的畫家，另一方面，和過去所主辦的其他本地畫家展覽一樣，在於呈現繪畫創作多元性的一角，創造條件以提高市民的審美能力，強化澳門教科文中心的其中一項工作－藝術教育的功能，使之逐漸成為澳門的一個美育的教學基地。教育、科學、文化是現代人類生活的重要支柱。對澳門文化現象的整理與歸納，以國

期人們從可能是比較容易切入的文化角度去認識澳門社會，從而參與社會、貢獻社會，亦是澳門基金會、澳門教科文中心以及其他公私營機構共同的、長期的工作。當然，要達成此宏偉目標，需要我們共同攜手，奮力共進。澳門基金會代主席暨澳門教科文中心主任吳志良二000年九月十八日II

FOREWORDCulturaltransmissionandinheritancearealong-timeprojectwhichdecideswhetherthecharacteristicsofoneregioncanshinethroughitshistory.Lookingbackintothepastdoesnotimplysearchinghighandlowinstacksofoldrecords;nordoesitsuggestthereluctanceinpartingfromtheg如riousdaysofyore.Onthecontrary,thisrecollectionofthepasthasenab柘dustoremovetheveilon扣story,andtoprobeintotheculturalconnotationofthelandweresideon,sothatwemaystartanewtoreorientateourselvesandconstructanewatmosphere.Itwassuggestedbywesternphilosophersthatanyone'sdiaryisworthcollectingbymuseums.Foradiarykeepsarecordinthemostpreciseandunshunningwayofsomeoral丨thesnatchesinone'sIife.Thesebeautifu丨andloyalaccountsreflecttheirtempora丨andculturallocation,anddepictjoy,anger,happinessandsorrowinhumanlife.Apparently,Mr.Chio's'diary'wasnotwritteninwords,andhismessageswerepassedoninimagesandlines.Hispaintingshaveunfoldedbeforeusscro廿soflandscapesofMacauintheTwentiethCentury,throughwhichwegetaglanceattheordinaryprocessthatMr.Chiohadgonethroughinpursuingbeauty.Therearetracesinthemoftheheart-beatsofanordinaryMacauresidentwhose'ordinariness'manifesteditselfinhisconcernoverhowmuchhecouldoffer,butnothowmuchhecouldgetfromthesociety.ThishasmadehisentireIifeextraordinary.Theappreciativetasteofbeautyhasbeenbestoweddifferentconnotationsindiffer-entperiods,andthecontemporaryartistsvaryinconductingdifferentartisticpursuitandtakingthei「owntheoreticalstand.Apanoramicviewofthe20thCentury扣storyofarthelpstovisualiseaneraofdiversification,inwhichpeoplehavebeenab柘todevotethemselvestoartisticexperimentsandcreativitywithoutmuchrestraint.ThereflectionofthiscommonpracticecanalsobefoundinMacau'sartandculture.Mr.Chioisoneoftheforerunner-artistsinMacau,whoseworkswerehighlightedbyeleganceandtranquillity,mild-nessandsincerity.Noconfusingbrightco丨ours,butleavingamplespaceforimagination.II

Theexh心tionof'ChioVaiFu-ARetrospective',organisedbytheUNESCOCentreofMacau,isintendedtocommemoratethecontributionmadebyMr.ChiototheMacausociety,andtoraisepublicattentiontothediversityoflocalart.Itisourhopethatthepublic'sabilityintheappreciationofbeautymaybeenhancedsothatthefunctionofarteducationoftheUNESCOCentreofMacaumaybebetterfulfilledduringitstransforma-tionintoaneducationalbase.Education,scienceandculturearethemainstaysofmodernlife.Collationandgener-alisationofMacau'sculturalphenomenahelptogainunderstandingofthesocietyfromaneasierculturalviewpoint,andthereforeencouragepublicparticipationin,andcontri-butiontothesociety.Thisisacommonandlong-termtaskshoulderedbyMacauFounda-tion,theUNESCOCentreofMacau,andotherpublicand/orprivateorganisations.Tofulfilit,werealisetheundoubteddesideratumofourjointeffort.WuZhiLiangActingPresidentoftheMacauFoundationDirectoroftheUNESCOCentreofMacauSeptember18,2000

序言憶趙偉夫先生與予定交垂五十年，可謂稔矣！然先生之鄉里宗族則諱莫如深，予亦不與深究，樂先生之所樂也，不亦善乎！先生乃善人也，待人接物和藹可親，宅心仁慈，能推及貓犬，雖月入菲豐而常施惠於有求救者，樂天雉命不汲汲於貴富，忠階級之友愛，抗惡勢力之欺凌，証諸五十年代國際酒店資方欺壓工人風波，先生獨力負責為工友抗拒資方無理壓迫，極力與惡勢力週旋，卒獲勝利，事成身退而不居功，事難人之所能也。工餘之暇，先生喜繪油畫，觀其作品中之「秋色」，「路環晚霞」，尤以「海港」一幅更具創作個性特色，有別於西洋畫派別而自成一派之勢。先生對於國畫亦頗涉獵，獨欣賞清代八大山人及近代國畫大師張大干之興緻小品，至於先生個人評品風格則深陷於古人所謂文人相譏之阱，對於品評畫人作品，唯對吳喜雨所繪之「石門飛瀑圖」情有獨鍾，對其餘諸子之繪事則頗吝其譽矣！先生晚年曾贈予印章數石，指力運用克刻到位，腕力未失誠佳作也！唯雕法既不類於浙派又不屬於皖派，無乃自成一派歟？是天生之作也！總括先生與予相處已如孔子所云：「與朋友交久而敬之！」，雖先生先我而逝，然予至今猶敬先生如生也！公元二千年歲在庚辰七月立秋扶風九十叟馬師奭序國

囯lFOREWORDItwon'tbeexaggeratingtomentionMr.ChioVaiFuasalong-timebooncompanionofmine.YetthefactthatMr.Chioand丨havecherishedanamityfornearly50yearshasbeenacircumventedtopicinperpetuumamongMr.Chio'sclansmanandfellowfolks.Takingnoaccountofthis,ItookdelightinwhatevermightdelightMr.Chio.Mr.ChioVaiFuwasamanofbenevolenceandamiability.Withanimmunificentincome,heneverturneddownanyrequestforhelp.Feelingcontentina廿circumstances,andbeingneverapursuerofwealth,hekepthisloyaltytothepeopleofhisownclassandstoodupfearlesslyagainstevilauthorities.AnexampleofthiscanbefoundintheeventintheNineteenFifties,inwhichthelabourofHotelInternationalfoughtagainsttheexploi-tation,bullying,andoppressionfromthemanagement.Mr.Chiotookadistinctstandonthelabour'ssideandfoughtwhole-heartedlyfortheirrights,butthenwithdrewhimselffromthegloriousoutcomeofthebattle,showingnointerestinfameandpublicity.Itwon'tbeeasyformanyotherstowalkawayfromcelebrity」ustlikethat.Mr.Chiowasveryfondofoil-painting.Amonghiswork,'Autumntime','SunsetinColoane',and'Harbour'inparticular,areindeedmasterpiecesrevealinguniquecharac-tersthathavepartedfromthewesternschools.Mr.ChioalsohadaparticularinterestinChinesePainting.HeadmiresZhuDainQingDynasty,andZhangDaQian,themasterofChinesePaintinginmoderntimes.Hespokehighlyof'S扣MenWaterfall'byWuXiYu,butseldombestowencomiumtoanyotherartists.Inhislastyears,ataveryseniorage,Mr.Chiopresentedtomeseveralseal-cuttingsasgifts,fromwhichthemaintainedcraftsmanshipwasrevealedtobemasterlyasever.Thetechniquesbeingappliedwereindeedsuigeneris,fortheydidn'tresemblethoseofeithertheZheSchoolortheWanSchool.Thesearemasterpiecesbynature.Recollectingthefriendshipwehad,IfoundoneofConfucius'sayingsmostbecom-ing:'Respectgrowsalongwiththedeepeningofafriendship.'MyrespectforMr.Chiohasremainedunchangedsincethedayofhispassing.MaShiShiAugust7,2000

作品目錄CATALOGUEOFSELECTEDPAINTINGS1東望洋山下鉛筆速寫AttheFootofColinadaGuiaPencilSketching37X20cm,19402紅星輪碼頭鋦筆淡彩HongXingLunDockPen&InkSketching35X25cm,19683路環船廠纖維筆速寫ShipyardinColoaneFelt-tipSketching37X27cm,19704氹仔水草田鉛筆淡彩Water-weedfieldinTaipaPencil&Water-colour27X23cm,19735街頭即景毛筆速寫StreetImpressionBrushSketching24X20cm,19836人像彩曌速寫PortraitColourInkSketching27X20cm,19847殘垣布油畫RemainsOilonCanvas58X42cm,19548海港布油畫HarbourOilonCanvas66X51cm,19589陋巷板油畫AShabbyLaneOilonWoodenBoard51X41cm,196310他鄉遇故知布油畫MeetingPastAlterEgoonForeignLandOilonCanvas50X40cm,195711.待哺布油畫WaitingtobeFedOilonCanvas85X62cm,195912蕭寺布油畫AnOldTempleOilonCanvas41X30cm,195713新填海農家布油畫PeasantHomeonNewlyReclaimedLandOilonCanvas58X46cm,196414停泊布油畫MooringOilonCanvas40X35cm,197215瓶菊布油畫ChrysanthemumsinVaseOilonCanvas51X41cm,196016錢納利街布油畫StreetOilonCanvas56X43cm,196317映山紅布油畫AzaleaOilonCanvas40X32cm,196518夕陽海傍板油畫SeasideatSunsetOilonWoodenBoard51X40cm,1965

璽19筷子基海邊布油畫Seaside,nearFaiChiKeiOilonCanvas40X35cm,197220盧園荷塘布油畫LotusPondinLouLimleocGardenOilonCanvas46X36cm,197421幽徑（白鴞巢公圜）布油畫ATranquilPath,CamoesGardenOi丨onCanvas45X36cm,198222松林遠眺紙本水彩AViewfromthePineWoodWater-colouronPaper37X27cm,195923.農忙（新口岸）紙本水彩BusySeason,NA.PE.Water-colouronPaper7X27cm,196024.修船紙本水彩BoatRepairingWater-colouronPaper38X28cm,196025田野（新口岸）紙本水彩Field,NA.PE.Water-colouronPaper36X26cm,196126待修紙本水彩ToBeFixedWater-colouronPaper37X26cm,196227荒村斜陽紙本水彩VillageinSunsetWater-colouronPaper37X27cm,196328補帆紙本水彩Sail-mendingWater-colouronPaper38X27cm,196529風送潮來紙本水彩TideWater-colouronPaper37X27cm,197130下環海傍紙本水彩Seaside,nearRuadaPraiadoManducoWater-colouronPaper37X28cm,197131海傍晨光紙本水彩RuadasLorchasatDawnWater-colouronPaper37X28cm,197232媽閣船塢紙本水彩DocksnearA-MaTemp伶Water-colouronPaper37X28cm,197433氹仔水鄉紙本水彩菡paWater-colouronPaper37X28cm,197434連勝街早晨紙本水彩AMorningonRuadeCoelhodoAmara丨Water-colouronPaper37X28cm,197435野趣紙本水彩NatureWater-colouronPaper37X28cm,197436美麗的氹仔紙本水彩BeautifulTaipaWater-colouronPaper38X27cm,197437馬騮｝州遠眺紙本水彩IsletMaLiu,FromAfarWater-colouronPaper37X28cm,197438黃花臨流紙本水彩YellowFlowersFlourishingalongWatersideWater-colouronPaper37X28cm,197639盧園額子林紙本水彩LouLim/eocGardenWater-colouronPaper38X27cm,197740西灣榕蔭紙本水彩Banyan-treesinSaiVamWater-colouronPaper38X27cm,197741觀音堂紙本水彩KumlamTempleWater-colouronPaper38X27cm,197742童話世界紙本水彩FairyWorldWater-colouronPaper38X27cm,1977

43幽林紙本水彩TranquilWoodWater-colouronPaper38X27cm,197844村居紙本水彩CountryLifeWater-colouronPaper38X27cm,197845秋光林影紙本水彩WoodinAutumnWater-colouronPaper38X27cm,197846蕉林牧鴨紙本水彩TendingDucksinPlantainGroveWater-colouronPaper38X27cm,198047雨中烈士陵園（香滑I)紙本水彩CemeteryParkinRain,XiangZhouWater-colouronPaper38X27cm,198448草垛斜陽紙本水彩HaystacksinSunsetWater-colouronPaper38X27cm,198849農家鐵牛紙本水彩Farmer'sTractorWater-colouronPaper38X27cm,198950歸漢圖水墨掛軸Home-ReturningChinesePaintingonScroll,B/VV81X31cm,195851野枝橫陳設色掛軸TreeStemsChinesePaintingonScroll,Colour丨Ink66X33cm,197052採荷圖設色鏡片PickingFramedChinesePainting,Colour丨Ink66X33cm,197053讀書圖設色掛軸ReadingChinesePaintingonScroll,Colour/Ink53X30cm,197054松鶴圖設色掛釉CraneandPineChinesePaintingonScroll,Colour/Ink53X30cm,197055清供圖設色掛軸FlowersinVasesChinesePaintingonScroll,Colour丨Ink61X33cm,197256春遊越秀設色掛釉VisitingYueXiuinSpringtimeChinesePaintingonScroll,Colour/Ink57X28cm,197257紅棉設色掛軸RedKapokChinesePaintingonScroll,Colou廿Ink73X33cm,197158雷峰夕照（之—)設色鏡片LeiFengPagodainSunset,IFramedChinesePainting,Colour/Ink41X30cm,197259山水設色掛軸LandscapeChinesePaintingonScroll,Colour/Ink57X32cm,197260.貓蔬圖設色掛軸CatandVegetablesChinesePaintingonScroll,Colour/Ink68X34cm,197261.國慶頌設色掛軸OdetoNationalDayChinesePaintingonScroll,Colour丨Ink50X29cm,197362攜雛圖設色斗方DucklingMindingChinesePainting,Colour/Ink28X28cm,197363春牛圖設色掛軸CowsinSpringtimeChinesePaintingonScroll,Colour/Ink59X36cm,197264益壽延年設色掛軸SignofLongevityChinesePaintingonScroll,Colour丨Ink88X37cm,197265雙鴨設色掛軸TwoDucksChinesePaintingonScroll,Colour/Ink39X27cm,197266燻船設色鏡片BoatRepairingChinesePainting,Colour丨Ink65X33cm,1973量l

區67憶羊城水噩掛軸ARecollectionofGuangzhouChinesePaintingonScroll,B/W84X30cm,197368鹽車渡太行設色掛軸Salt-carrierClimbingMountTaiHangChinesePaintingonScroll,Colour丨Ink78X54cm,197869紅荷蜻蜓設色掛軸RedLotusandDragonflyChinesePaintingonScroll,Colour/Ink77X36cm,197870雨荷水噩掛軸LotusinRainChinesePaintingonScroll,B/W69X31cm,198171桃花小鳥設色鏡片PeachBlossomsandBirdFramedChinesePainting,Colour/Ink43X26cm,198272鼠蔬圖設色掛軸MouseandVegetablesChinesePaintingonScroll,Colour/Ink69X38cm,198373鳧趣圖設色掛軸WildDuckFrolicking79柳荷圖設色掛軸WillowandLotusesChinesePaintingonScroll,Colour/丨nk67X33cm,198480蘿崗香雪設色掛軸SnowinLuoGangChinesePaintingonScroll,Colour/Ink74X36cm,198481紫藤雙燕設色掛軸ChineseWistariaandSwallowsChinesePaintingonScroll,Colour八nk74X34cm198482洋葡萄小鳥設色掛軸GrapesandBirdChinesePaintingonScroll,Colou廿Ink89X28cm,198783雷峰夕照（之二）設色掛軸LeiFengPagodainSunset,11ChinesePaintingonScro丨I,Colour/Ink73X30cm,199084煙墩山遠眺設色成扇MountYanOun,FromAfarPaintingonFan,Colour/Ink198385馬馱圖設色成扇LoadedHorsesPaintingonFan,Colour/InkChinesePaintingonScroll,Colour/Ink69X30cm,1983198374花溪遊蹤設色鏡片ATriptoHuaXiFramedChinesePainting,Colour/Ink59X36cm,198375居庸疊翠設色鏡片FortJuYongFramedChinesePainting,Colour/Ink80X68cm,198376香｝州海濱公園設色掛軸SeashoreParkin沁angZhouChinesePaintingonScroll,Colour/Ink47X34cm,198377殘荷水曌掛軸WitheredLotusChinesePaintingonScroll,BNV60X30cm,198378柳岸浴牛圖設色鏡片BathingCowsatWillowWatersideFramedChinesePainting,Colour/Ink44X33cm198586蘿崗香雪設色成扇SnowinLuoGangPaintingonFan,Colour/Ink198387絲綢之路設色成扇TheSilkRoadPaintingonFan,Colour/Ink198388鎮海樓春色設色成扇TowerofZhenHaiinSpringtimePaintingonFan,Colour丨Ink198389山居圖設色成扇Mountain匕fePaintingonFan,Colour/Ink198590趙偉夫鐫刻印章Sea丨-Cuttings

後記暮春三月，鄭家宅園中有紫荊老樹，燦然盛放，滿園春色，煌然爛然，令人意悅。餘圖之數紙而不果，是日也；文昌廳前見一畫家圖之以油彩，近觀之；畫中傳神，春意盎然，得園中趣。大拜服，以塗鴉求教，蒙不棄，遂拜為師，習其藝。是乃余之恩師－趙偉夫先生是也。時維一九六八年，斯時為照顧病中師母，師已退隱，無求聞達於時矣。七十年代，汪宗衍先生居澳，與王文達先生等游頻。某日閑談間，汪老謂趙師諸藝，當推水彩為第一，其境駿駿乎獨造耳。師無語，一笑，未肯從也。又某日隨師拜謁葉顯先生，論及時局，對葡人之殖民統治不勝唏噓。葉老更出示其一二三事件雜詩手稿以贈，後又得汪老題後，師襲襲珍之。無幾葉老歿矣，不騰感感。師性剛不阿，胸懷磊落，苟非其人，未肯稍置一詞，對後學則每多獎掖提攜，得其指點，獲益匪淺，受用無窮。樂於助人，即使月入菲豐，卻鮮拒於求助者。晚年少有刻意作品，多茶餘飯後，興之所至，一揮而就，或於街頭野外，一蹴而成，數筆點染，不假修飾，純任天然，僅《鹽車渡太行》為其晚年經意之筆耳。老師之愛國情懷，淡泊之志，悲憫之心，篤友之義，悉以厚重之筆，寄於簡淡意遠之境，睹其畫如見其人，吾師、吾師，念茲在茲！昔有同學等議，為師舉辦個展而不允，謂倘吾故後有遺作展者，皆爾等事矣，今師去匆匆十年，幸得各方友好及本澳教科文中心，澳門基金會等鼎力襄助，使趙師之紀念展克抵於成，謹申謝忱！庚辰二千年立秋後十日梁煜輝國

國AFTERWORDItwaslatespring,whenanoldBauhiniatreegloriouslydisplayeditselfinfu廿bloominthecourtyardoftheZhengs'ancestralestate,IspottedanartiststandinginfrontoftheWen-Changdrawing-room,capturingthep區santsceneinoil-paintwithgreatvividnessandease.Beingapaintingenthusiastmyself,Idecidedtostudywithhimafterbeingamazedbyhisobservationandperception,aswellashistechniques.TheartistwasMr.ChioVaiFu,whohadretiredfrompubliclifetotakecareofthethenill-healthedMrs.Chio.Thatwasintheyear1968.Intheearlyseventies,Mr.WangZongYanmovedtoMacauandstartedaveryfre-quentassociationwithMr.WangWenDaandothers.Onceinacasua丨gathering,whencommentingonMr.Chio'spaintings,Mr.WangZongYanspokehighlyofhiswater-colours,praisingitbeingsuigeneris.MrChioremainedsilent,turningthecommendationdownwithagentlesmile.Anotherday,onavisittoMr.YeXian,whenanimadvertingonthepoliticalsituationthen,Mr.Chiocouldn'thelplamentingthein」usticeinthepoliticalandsocia丨treatmentfromthethen-dominatingcolonialgovernment.Mr.YewassomovedthathepresentedMr.Chiowithsomemanuscriptsofhispoliticalpoemsasgifts,whichwaslateronpost-scriptedbyMr.WangZongYan.Mr.Chiohadcherishedthemeversince.Mr.Yepassedawaysoonafterthat,andMr.Chiowasdeepinmourning.Mr.Chiohadacharacterofunyieldingnessanduprightness.Hewouldn'ttalktothosewhowerenothisownkind,butprovidedencouragement,supportandguidancetothosewhowerestillatapreliminarystageintheprocessoflearning.Hewasakindandgenerouselderwhoseldomturneddownanyrequestforfinancialhelpeventhoughhehimselfdidn'thaveamunificentincome.Inhislateyears,herarelypaintedwithapurpose.Paintingsofthisperiodwereoften

impromptuandunembellished,andfinishedinthemostnaturalways.Amongthem,theonlyexceptionwasmadeof'ClimbingMountTaiHang'.LookingatMr.Chio'spaintings,onedoesnotfinditdifficulttoseeinhimthepatriot-ism,thecompassion,theloyalty,andthedetachmentinfacingfameandwealth.HowImisshimwhenthesepaintingsrevealedonceagain扣slife-timepursuitofbeautyinbothnatureandhumanity!WhenMr.Chiowasstillwithhispupils,aproposalforholdinganexhibitionforhimwasputforward,butwithheldbyhim.日ewouldonly訓owsuchathingafterhispassing.It'sbeentenyearssinceMr.Chioleftus.Wefounditextremelyfortunatetohavebeenabletobesupportedinholdingthisexh心tionforMr.ChiobytheUNESCOCentreofMacau,MacauFoundation,andmanyotherfriends.I'dliketoextendmygratitudetothemall.LiangYuHuiAugust17,2000國

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