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`INSTITUTOCULTURALDEMACAU澳F月文亻匕司薯FUNDA<;:AOMACAU渙！門基金會

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鳴紺AGRADECIMENTO•THANKSTO璵鬥文化司署INSTITUTOCULTURALDEMACAU祛尸刁菡傘會FUNDA<;:AOMACAU布嘉臟博士Ora.GABRIELACABELO囑犢奇博士Dr.ANT6NIORODRIGUESJ0NIOR鵬考江磁窣師Arq.•CARLOSMARREIROS皋志皐先生Dr.WUZHILlANG罈亻拿這先生Sr.VIcrORHUGOMARREIROS硃京萌先生Sr.YAOJINGMING漬宇E槀先生Sr.W'ONGPONGKIT玄嚥蟑先生Or.WONGIOFONG縴薪先生Sr.CHOISAN何靄鴒4丶殂Sra.HEIDYHO湞6少槀先生~r.DANIELFUNG卹黑熙先生Sr.TANGHINHEI賺祆7./<先生Sr.CHEONGCHAUSIU縝匿筆4丶珥Sra.CHEONGVENGLIN蕾充文先生Sr.CHANGLEONGMAN罈磾士先生Sr.DENISMURRELL鵬志泗先生Sr.ADRIANOMA新寶蓽電子分色公可NEWPO远RGRAPHICSARTCO.鴻興印刷有F良公司TIPOGRAFIAHUNGHENG

孩子的嬉戯罄中隔銫開來，彷彿那窄小角落充滿若無限的安全和撫慰。楊光穿透窗縫投射在地板之上，星相點微塵在凝同著的柔弱光線中緩慢地載浮載沉一－那是個完全屬於自我的字宙。在這奇特空間裡，我自由地翱翔在想像之中·天外飛船、各式恐龍及種種不可思議的事物都在獵海中飄浮、呈現。還記得，當時曾天真地等待一隻被我埋藏於牆楓中的金龜虫子演樊成化石…。隨荅年歲增長，自我褔離的衝動漸漸轉換成另一種形式一一我開始藏匿於廢置的建築物裡，諠检沉寂靜去過遽現實生活的頻囂。龍頏左巷鄭家大屋、天神巷大偉煙草公司、氹仔三婆廟便成為我經常出沒之地。狷自靜心觀審牆壁上的水銹污跡、觸摸被棄置的傢具和瓦礫，竟咆會滿足內心的」情感渴求。那是某種與空靈境界融合而產生的情緒共鳴，此刻，時間的存在似乎並不重要。發自個人內在的感覺竟是複雜得如此難以形容、亦無法量度，倘若有甚麼方法，可以把種種糾纏不清的情感思緒都記錄留下，那豈不大美妙，

大約二十年前，老師遞給我一根鉛筆，又耐心地教導如何用小刀把筆蕊削成尖楳。接著，便鼓勵我用它來捕捉自己的所見所想。速寫本從此成為知己良伴，與我一同體驗身邊的境遇。流動的線條時而輕鬆凌亂，時而緻密嚴謾，為我一一真實地記載多少難忘的時刻．是興奮、是孤寂、是得意、是疲乏。《棟聯幕香莊〉在細訴諭桑往事的連磬慨嘆。《聖彼得大教堂》則留住了新婚的温幕日子，印象中，又勾起了意大利明插楊光燙暖若的笑厝。透過筆觸，我可盡情地表達那扣動心絃，經由肢體所煥發的、多麼獨特的人纇內在靈性。沒有甚磨比拿起一枝鉛肇和一張白紙能更完整、更快捷地描述錯綜複雜的思緒及瞬間即逝的直覺。一直以來，縱使我對待畫藝侑的認知及當試在不斷更新：從寫實、變形、各種物料的拼合、抽象及至將人體融合在傳統的山水繪重之中…，然而，我從沒放下手上的速寫畫板。棒眼間，永逯敬愛的啓蒙老師廿長齡先生離開我們快三年了，但我應如何感謝，他所傳聽的珍潰創作體驗及豊富多姿的藝術生活？一九九四年九月．澳門吳術嗚

URANTEaminhainf卸cia,parafugiraalgazarrademeusirm和secrianc;asdavizinhanc;a,devezemquandogosravademeisolarnos6函o,ondemesentiamaisseguroerecolhido.Osraiosdesolarravessavamasgrerasdas」anelas,banhandoosoalhoeiluminandoaspoeiras.suspensas.Eisumreinosingularnoqua!euerasenhor,eondepodiavoarnasasasdaminhaimaginac;ao.Umsemnumerodecoisasinconcebiveis,erambemnavesespaciaisedinossaurosvarios,inundavam-meacabec;a.Lembro-me,ainda,dererenterradoumescaravelhonumafissuradaparede,dese」ando,inocenremenre,queelepudesseviratransformar-senumfossil...Comodecorrerdotempo,aminhamaniademeisolarfoiassumidadeourramaneira.Comeceiaesconder-meemcasasabandonadas,ondeasombradosilenciofilrravaorirmoinrensodavidaquoridiana:aCasadoMandarimnaTravessaAntoniodaSilva,afabricaderabacoDavidnaTravessadosAnjos,oTemplodasT元sAv6s(SamPo)naTaipa,eramosmeusfavoriros.Observoasvelhasparedes,commanchasdesenhadasporaguaspassadas,cocoemrelhasparridasevelhosm6veis,eissomuiromesatisfaz.Fundo-menovaziodaqueleambienceeod頃logoanulaosignificadodorem严0senrirdeumcorac;aoe函ocomplexoqueedificildesvenda-loemedi-lo.Serivessesidodescoberroummeioparaconsegui-lo,seriaumamaravilha.

Hacercadevinteanos,omeuprofessordeu-meumla.pis,eensinou-meaafia-lo.Disse-mequeparaeuapreenderumacoisateriaqueregisr:i-la.Assim,ocadernodedesenhosfez-semeucompanheiroecomigoviveumuitosacontecimentos.Osseustrac;osemmovimento,oraespontaneoseconfuses,oracuidadoseminuciosospassaram,desdeentao,aregistaraminhaalegria,solidao,euforiaetambemafadiga,conformeoscasos.AFabricadePivecesChanLinHeninspira-mecriscezapeloseudeclfnio;aBasilicadeS.Pedrorecorda-meofelizedocemomentadalua-de-mele,aomesmotempo,osorrisoinrensodosolitaliano.0quepalpitanofundodeumcora亞osensiveleque6函oespecificoe,provavelmentetransmissive!,porgestosco「porais,traduz-seno严pel,atravesdosmeustrac;:os.N和區nadamelhordoquepegarnumI年isenumafolhadepapelpararegistar,「年idoeempleno,pensamentoscomplexosesensac;:6estransit6riasNasarcesplascicascudoes函emtransformac,ao.Porissona。P缸odeaprendereexperimencarcoisasnovas:dapincurarealiscaatransfigurariva,damatericaaabsrraccionisralfrica...eassim,ocadernodedesenhosnuncadeixoudemeacompanhar.Hapoucoma」sde這sanos,faleceuomeurespeicadoesaudosoMestreKamCheongLeng.Escou-lhegratoparacodoosempre,poiseledeixou-meumpreciosolegadoqueeaexperienciadeumavidaplenaecriacivaMacau,Setembrode1994Ung加Meng

--rememberwhenIwasyoung,sometimesIwould扣demyselfintheatticandstayawayfromthefrolicenjoyedbymysiblingsandchildrenincheneighbourhoodasifchatsmallcornercouldofferunfailingcomfortandsecurity.Sunlightpenetratingfromtheskylightrad國tedonthefloor,withfinedustdriftingslacklyinthesolid面edsoftrays—auniversetotallymyown.Insuchastrangearena,Ihoveredaboutintheworldofimagination:spaceships,allkindsofdinosaursandmanyocherinconceivablethingsemergedfrommymind.IrememberhowIkeptwaitingnaivelyatthattimethatascarabIhadburiedinthecrackofawallwouldturnintoafossil…·AsIgrewolder,theimpulseforself-seclusionchangedintoanotherform—h」dinginsidedesertedbuildingsandlettinggloominessandsolitudefilteredthehustleandbuscleofreallife.TheMandarimMansionatTravessaAntoniodaSilva,TheDavid'sTobaccoCompanyatTravessadosAnjosandThreeLadies'Temple(SamPo)atTaipaweremyfavouritehaunts.Byquieclyexaminingtheruststainsonthewallandcouchingdiscardedfurnitureanddebris,myinnerdesirecouldbesatisfied.Itwasakindofpsychologicalresonancecausedbyanintegrationwiththemetaphysicalworldatwhichpointtheexistenceoftimeseemedcobeunimportant.Socomplicatedarethefeelingsgeneratedfromtheheart,theyarevirtuallybeyonddescriptionandimmeasurable.Howmarvellousitwouldbeiftherewerewayscorecordtheseentangledfeelingssothattheycouldlast

Abouttwentyyearsago,myteachergavemeapencilandshowedmewithpatiencehowtosha「penthe叩withaknife,andthenencouragedmetocapturewhatIsawandthoughtwiththepencil.Sincethen,asketchbookhasbecomemygoodcompanionanditaccompaniesmeto~xperiencetheeventsoflife.Wavinglinesmadeonthe严per,sometimescasuallydrawnandunrestrained,ochertimescarefullyplannedandwell-knitted,haveallrealisticallyrecordedmemorablemomentsforme—excitement,solitude,complacencyandweariness.In"ChanLinHen'sIncenseScore",itpresentsalamentableaccountofthevicissitudesoflife.In"St.Peter'sBasilica",thebeautifulmomentsofaweddingarecaptured.ThewarmsmilesundertheenchantingsunlightinItalyunfoldagaininthemind.Withapencil,theintrigueanduniquenessofthehumanintelligence,setoffthroughtheimagesofhuman.bodies,canbedepictedcothefull.Todescribecomplicatedthoughtsandfast-fadingintuition,nothingcanbemorecompleteanddirectthanusingpaperandapencilEventhoughmyknowledgeandskillinpaintingcontinuetoevolve—realism,transformedob」ects,multi-media,abstractionismandtheinclusionofhumanbodyportrayalintotraditionalChineselandsca户paintings….Ihaveneverabandonedmydrawingboard.Fleetingisthepassageoftime.Myforeverrespectedteacher,Mr.KamChangling,whoenlightenedmeintheartofpainting,leftusalmostthreeyearsago.HowshouldIthankhimforthevaluablecreativeexperienceandrichartisticlifeheg面edme?September1994,MacauUngVaiMeng

攝影文FOTOGRAF!AS•PHOTOGRAPHSTEXTOS•TEXTS皋豺行甩活UNGVAJMENG

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畫名-~仕T(TUI.O•TITIES,,u品l,d.wt紜品，出阪.i~l"l文化司暑／漠l"I姜金會EDlc;.AO•PUBl.lSHER/,urir,,14C•扣,-.,/d,MafduIFu必1rJ0Maozu作寺·吳術鳴Alfl"OR•AU1"HORUng加Mrng墓楂iitt.吳術，CONC凹<;:AOG臥Fie.A•GRAPHICDESIGNUnsVaiMrns薑文掘鍔．嬈京明TRADU<:;},.OPARAPORTUGU鯰•PORTUGUESETRANSI.ATION」心」,nxMmt英文翻｀．責片保TRADU<:;},.OPARA!NGL邸•ENGUSHT叭NSL.ATION\\7onsPont即嘻房技師.ff墅~/張秋木l.ABORATORIOFOTOG臥FICO•PHOTOLABORATORYT•ntHinHtiICht0nsCl凶usu,分色.ffi冑葦電子分色公司SELECr:;J,.ODECORES•COi.OURSEPARATIONN,wPou,..,G,ap區AnC..印尉-~興印尉有畏公司IMPRE.SSAO•PRINTERTif'OIT•fiaHuotIi叩景行歉量．一千三百丹n臥G耶•PRINTRUN1300苷次R行．渼鬥，一九九五年t.•EDl<;AO•ht.EDITIONMo,au•/,!血..1995ISBN•972-8147-384c,C。,,,,,,.,,,UNGVAiMENGINSTI1Vf0CULTURALDEMACAUFUNDAr;,AOl\!ACAU,

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